Source: PetaPixel.

We are not alone. Plenty of people on the web have the same objective and they brought us exactly that: A wealth of comparisons, parallel tests and face-to-face reviews for the newest contenders for the title of “Most attractive enthusiast-targeting photo camera with a Full Frame sensor”.

• Low Light Comparison of the Canon 5D Mark II, 5D Mark III, and Nikon D800 from Joe Marine (via PetaPixel): It’s an impressive show of the Canon video performance (even calling the old 5D MkII in)
• DxOLabs does a number of reviews and comparisons aiming at the sensor quality (D800 & 5D MkIII): does not leave any doubt about the photo ability of the Nikon sensor (or should I say Sony sensor?).



• Nikon D800 vs. D3s and D7000 comparison by Cary Jordan: is obviously impressed by the D800 performance (as an excellent FX camera and as a very good DX/APS-C camera, too.)
• Canon EOS 5D Mk III Vs Nikon D800 at PhotoAnswers: is rather balanced but shows very nice D800 pictures.

However, based on the results of extensive testing this change in exposure value will not noticeably affect the captured image.

This is right: the discrepancy seems to be limited to 1/3 of a diaphragm. This is not much. But the users of a camera designed for experts, enthusiasts and pros may appear more difficult to convince than the wider audience of entry-level cameras.

We’ll see what the final outcome will be. Maybe not a full-fledged scandal (Canon is still OK to check your camera up in After Sales if you feel this is critical), but some bitter comments and a mild irritation…

Nevertheless, there is now an added surprise while Canon announced putting on hold the shipments of this new camera in most (all?) markets. It is also clear that Canon does not intend to organize a recall (at least right now), but it seems rather clear that the problem will not go away with a mere firmware update.

All that being said, it is important to remind ourselves that the issue is only occurring in rather extreme conditions: While shooting at high ISO (with very low light) but when a light source is illuminating the top of the camera. This is obviously not common. So, it is quite normal that Canon prefers to take very cautious steps while analyzing the situation.

It’s clear that the most recent launches by Canon and Nikon are fighting more or less each other on a market of experts and pros. So, in the recent days, I collected a number of comparisons between the Nikon D800 and the Canon EOS 5D MkIII to help you check this out by yourself:

• Video shootout: Nikon D800 vs. Canon 5D mkIII by Dan Chung
• Canon EOS 5D Mark III vs Nikon D800 noise at CameraLabs
• Bob Atkins: Pixel Matters – Canon EOS 5D MkIII vs Nikon D800
• Canon EOS 5D Mark III: primeras muestras y breve comparativa con la Nikon D800 (de QueSabesDe.com)
• CrisisLab: The F%^&ing Nikon D800 vs. Canon 5D mkIII Shootout with a YouTube video

Of course, these will stay in the pages specific to these two cameras.

This is starting to look like a bring refrain, in these recent weeks: The most recent photo cameras seem to have been launched before all the bugs could be detected and wiped out. As a simple reminder, I would list the following cases:

• The Canon EOS 5D MkIII files are not handled perfectly well in DPP v3.11.10 (the exact nature of the issue is not clear: Something to do with the details and micro-contrast in digital noise management).
• FStoppers seems to have found a light leaks or an exposure algorithm sensitivity to charge conditions of the battery of the Canon EOS 5D MkIII.
• Sometimes, the Nikon D800 does not switch itself OFF.

Canon and Nikon will certainly update soon either the camera firmware or the picture software program. But this is confirming once again that we no longer purchase photo cameras in the most traditional sense (marvelously fine-tuned mechanical systems) but computers (with all its software and… bugs).

We could well ask ourselves if we are not on the verge of waiting several weeks (or months?) before reviewing or even purchasing a new camera. We already knew that a camera firmware could exist as pre-production version (some preliminary tests and reviews are grossly wrong because of this) and that some brands (Sony, for the A77 and the A700?) sometimes take several months before producing a firmware worth describing as final.

Dear camera manufacturers, be more cautious: You will soon see customers become much less faithful, much more troubled. Your brand value could erode quickly if you do not stay faithful to the image the photographic industry had all along the XXth Century. This image could be lost easily…

So, after more than three years of reliable service, it leaves the market to a new camera whose MkIII suffix aptly shows that that it does not intend to bring revolution to the camera landscape but that it is here to satisfy the many happy users without letting any of the new competition make an lasting impression.

Slightly heavier than the MkII, the Canon EOS 5D MkIII brings some improvements:

• 22.3 mega-pixels (instead of 21.1 MP)
• 3.2″ LCD display (instead of 3″)
• Sensitivity: ISO 100-25600 [ext. ISO 50-102400] (instead of ISO 100-6400 [ext. ISO 50 to ISO 25600])
• Video: 60 fps (instead of 30 fps) in Full HD 720p
• Continuous shooting: 6 fps (instead of 3.9 fps)
• Autofocus system: 61 zones (instead of 9+6)
• Weather-sealed
• Optical viewfinder: 100% coverage (instead of 98%)
• Double memory slot: CompactFlash + SD (the transition to SD is now on us!)
• 63 zones (instead of 35) for exposure metering

The only-slightly-improved resolution brings a much better sensitivity (due to the excellent overall technology improvement). Canon appears very reasonable (who could blame them to consider that after 20 MP, there is no longer any real gain to expect from a wildly increased resolution?) for the best interest of the customers. More specifically, video modes now gains a sensitivity up to ISO 25600, which will certainly be a strong feature for video grabbing in “difficult” conditions.

The biggest improvement is certainly coming from the autofocus system: Welcome in the new world of the AF from the Canon EOS 1D-X! The only complaint (and it’s quite a moderate one) is to see that the AF zones leave a quite large area still uncovered on the picture borders. This may be a good news in that the same AF sensor may be re-used even more efficiently in a successor to the 7D which would get a nearly optimal coverage (such a strategy has been seen in the past).

The whole mechanics and electronics system has been improved and this is visible in the great leap forward of the continuous shooting frequency (nearly doubled). This is the result of a lot of (sometimes) tiny actions from the Canon designers and it bodes well for future test results.

On the opposite of what you may read elsewhere, I will not make positive comments about the DIGIC 5+ CPU which, as usual, Canon self-applauds without providing any technical information to support it. But it has certainly a role in the management of the new multiple exposure modes which are brought to life:

• HDR
• Additive
• Average
• Bright
• Dark

Apart from the very unsurprising HDR mode, we will need some experimenting with the other modes to discover what their real use will be (apart from providing good demonstration opportunities).

So, evolution or revolution?

For me, this is far from a revolution since the Canon EOS 5D MkIII will change nothing in the habits of the MkII customers. But three years of evolution in one step! the current users of the MkII will probably reach for their credit card while running to their preferred photo reseller. there are enough new and improved features to ensure that the change will be striking without generating too much of featuritis diziness. Canon was right in forcing us into patience.

Additional items

• Canon EOS 5D Mark III low-light ISO series samples at DPReview
• Samples images from Canon

Press Release

Canon U.S.A. Announces The Highly Anticipated EOS 5D Mark III Digital SLR Camera

Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features

LAKE SUCCESS, N.Y., March 2, 2012– On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon’s top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon’s answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon’s 25th anniversary celebration of the EOS camera system. Canon’s  award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses.

“We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles.  The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. 

The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.

EOS 5D Mark III Video: The Legacy Continues

The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.

The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production. 

The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moiré and color artifacts in scenes with horizontal lines.  The video footage produced will exhibit less moiré than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files.  Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.

The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.

Newly Developed Canon CMOS Sensor

With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.

The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.

The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.

Canon-Exclusive DIGIC 5+ Imaging Processor

The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.

Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.

High-Performance 61-Point High Density Reticular AF

For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models).  A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.

Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.

iFCL Metering

Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.

HDR Mode

The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ±3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects.  Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.

Multiple Exposure Mode

The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.

Comparative Playback

A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions. 

Durability, Reliability and Other Features

The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.

The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.

The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.

The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.

Accessories

The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras.  In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable.  With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting.  With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Dⁱ as well as the EOS 5D Mark III.ⁱⁱ

Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.

Speedlite 600EX-RT

In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT.  The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.

Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT.  Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites.  The Speedlite features enhanced weather-resistant construction — matching that of the EOS-1D X camera body — and a more reliable electrical contact.  The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.

Speedlite Transmitter ST-E3-RT

Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras. 

Pricing and Availability

The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in patent holdings in the U.S. in 2011^† and is one of Fortune Magazine's World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

†Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice.  Actual prices are set by individual dealers and may vary.

1. When the EOS 7D is used with the GP-E2, the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not work for movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.
2. In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

The EOS 5D Mark III requires a firmware upgrade to be compatible with the GPS Receiver GP-E2, which will be available soon.

Seeing the quality of the pictures and the elaborated presentation, it is not difficult to assert that this is really a leak organized in the offices of Canon within the scope of the launch campaign for the Canon EOS 5D MkIII. Of course, nobody will ever confirm this

But it is rumored that the launch will be happening on March 2nd (not far, eh!)

Source: CRF

Kudos to Dominik but do not take this too seriously, though.

Source: Dominik Wörner’s blog, via PetaPixel.

What is clearly the matter of speculative thinking is the availability date of Photoshop CS6. Most observers indicate that nothing should be expected before the beginning of 2012. But the usual cycle could be shortened to to take advantage of the holiday sales of the end of 2011.

On the contrary, some technical features are getting pretty clear.

Presentation

Visibly, Photoshop CS6 will receive a (more or less) revamped interface in order to take a better advantage of multiple screens (many graphic designers and photographers now use several screens to widen their work space and to spread several applications around). PS CS6 will allow to better spread the tools, palettes between these screens with a new specific “docking” mode and maybe some additional features to support these users.

Furthermore, it is also said by some that the integration of the high-end graphic card features will be improved again (to speed up many basic functions of Photoshop).

Features and productivity

Adobe is preparing to provide a whole set of new features looking toward the best possible result with the smallest number of steps for many day-to-day needs. We already new the content-aware fill feature to quickly clean up a picture zone without hours of brushing details and textures to keep the change as invisible as when the communist Kremlin was wiping out previous officials from photographs.

Here, Photoshop will come with CS6 features to give a picture the look and appearance of another which is provided as reference image. The examples that Adobe Photoshop could use may be as diverse as the pictures from a well known photographer (“I want my photo to look like one photo from Laurent Baheux or like one photo from David Lachapelle“). If you will not get their genius and elegance, at least, your picture will look similar enough.

I expect that if the reference image is an HDR picture, you will obtain directly the same colorful look without the effort to combine several images, and without the long DIY work of false HDR in Photoshop (6 not-so-easy-to-remember steps).

More generally speaking, the automated tasks like “automatic contrast” or “automatic colors” will be much improved and simplified in order to solve simple problems we all encounter: bad contrast, fuzzy images from hand-held vibration, offset colors, etc.

Then, (as usual, I’m tempted to say) Adobe is ready to improve its selection tools with more efficiency, faster operation, more precision.

Video et animated images

If you are interested in the possibility to present your photographs in an animated format, there will certainly be some more possibilities to go beyond “Animated GIF”, and Adobe Helium will be there to allow the creation of sequences, animations, and even some interactive web components based upon CSS3 and HTML5.

Furthermore, the video capture feature of our SLR cameras will be better served. This is pretty sure, even if we don’t know much except that the new Canon codec being developed for the future Canon EOS 5D MkIII will be supported.

Conclusion

We still have nearly a full year to wait until we see the details, but the already-planned features are significant. They will come with an extension of the use of the 64-bit architecture allowing to handle forever more memory space (we already know that 4 GB of RAM is now the minimum for comfort when using Photoshop and PS CS6 will be no exception).

Some ask if Adobe will apply its subscription/rental offer (month-by-month payment) onto CS6 and onto some other markets than USA. If this is the case, it will be the consequence of the subscription offer there and it could well start before the launch of Photoshop CS6.

Meanwhile, you can still go and have a look at the preview of some features of Photoshop CS6 (Alpha version) from November 2010.

First, it seems clear now that despite some unfounded expectations, the Canon EOS 5D MkIII (more and more described as Canon 5D3) is not ready to launch (we are told “6 months after the Canon EOS 1Ds MkIV” – often described as Canon 1Ds4 but absolutely not announced by Canon yet). This would push the announcement of the 5D MkIII nothing less than a full 3 years after the official launch of the 5D MkII, around the end of 2011. This is long, much longer than the usual practices of Canon, but the market does not really seems in a hurry while the current success of the 5D MkII does not stop.

More interestingly, nobody seems expecting any notable evolution in the digital sensor resolution (most probably, it will stay around the current 21 MP). And, admittedly, after 18-20 MP, most lenses are “out of wind”. The technical expectations of such small-pixel sensors are very high. Canon recognizes this and started a very broad transformation of its lens offering (from the mid-range up to the pro L series).

However, it seems that Canon is working hard to free itself of the constraints (and fees) forced upon them by the presence of Sony and Panasonic patents for the AVCHD/H.246 video encoding technology. In order to avoid paying at the patent gate, Canon would be developing its own Codec technology (based upon the MPEG-2 architecture). We must wait until we know if this could somewhat cripple the image quality, but this is certainly at the core of all activities of the Canon development team.

Some have drawn the partial conclusion that the Canon EOS 5D MkIII would be first to receive this Codec, but this rumor is probably not based on solid ground. On the contrary, the launch of this Codec would happen as soon as possible (possibly on the 1Ds MkIV) and the 5D MkIII would receive it only later.

All in all, the Canon EOS 5D MkIII would be, as usual with Canon new products, an evolution and not a revolution from the point of view of hardware specs (nearly identical sensor, dual Flash card, external flash control). However, with the inclusion of many new functional features, and the availability of a much-improved light sensitivity and special user modes for HDR, high sensitivity, panoramic shooting, image capture without stopping the video capture, etc. Canon would be holding out a Digital SLR camera specially attractive to the photographers with the highest expectations.

One large dark area that seems not to receive any new light in the recent days is the impact of the earthquake and tsunami of March 11, in Japan. For such a faraway launch, it is near certain that the industrial issues will be relatively easy to solve but the Research and Development activities are quite probably shaken by the current situation even if Canon employees seem to have been relatively protected from most of the problems up to now.

As soon as we get more details available about the Canon 5D Mark III, we will publish them here.