• Canon EOS RP Advanced User Guide (English)
• Canon EOS R Advanced User Guide (English)
• Canon EOS RP Guide d’utilisation avancée (Français)
• Canon EOS R Guide d’utilisation avancée (Français)
• Canon EOS RP Guía para usuarios avanzados (pdf) (Español)
• Canon EOS R Guía para usuarios avanzados (pdf) (Español)

With these, you should no longer hesitate if you did not know whether one of these cameras was the right one for you.

• User manual of the Canon EOS 90D in English
• Manuel utilisateur du Canon EOS 90D en français
• Le maximum avec le 90D (Amazon)
• Canon EOS 90D: Guía para usuarios avanzados (pdf)

Now, you are ready to purchase the newest and brightest Canon APS-C DSLR, the replacement of the Canon EOS 80D and the Canon EOS 7D Mk II. Go and shoot pictures!

Firmware v1.1.0 new features/changes:

1. Supports WiFi adapter W-E1.
2. Adds a setting to enable or disable automatic storage of the lens, if it is extended out when a gear-driven STM lens is attached, and the power switch is turned to OFF.

Download the latest Canon EOS 7D Mark II firmware.

I hesitated quite some time and, while I was waiting for its arrival, I admit I was somewhat frigthened that buying it may have been the biggest mistake of my photographer’s career. I am no longer frightened and I offer to share why using it was so positive.

Out of its price, it appears frighteningly heavy. I would not say this is a light lens (3.8kg, no less!) but it is astonishingly well balanced; Most probably because it has a large optical group in the back, near the camera body. I was coming from my habits with a Minolta 400mm f/4.5 (of -only- 1.8kg) which I learned to handle without a pod (to track fliying birds). With the help of the image stabilization (active in the viewfinder), I could shoot vultures and storks filling the frame at 400mm and smaller, faster birds (European rollers) in a wider frame. Just remember that you need some space around or the head of your neighbours will not appreciate your ample moves. And those who met me face-to-face understand that I am not really an athlete!

The zooming ring falls right in your hand and is ideally fluid with a nice run (not too short, not too long for my taste: A big 90° angle to go from 200mm to 400mm). The advantage of the integrated multiplier is resolutely recognizable. I thought that it could be a pleasant addition with a limited use. This is much more than that: The combination of the focal range and the multiplier teaches you to easily move from one range to the other. I quickly built a reflex of re-centering the focal range when reaching 400mm (one push of a finger on the multiplier lever and a small ring turn and I’m back at 400mm but in the middle of the available 280-560mm range; and back).

The materials used to build it are pleasant and re-assuring to handle (the sun visor is quite rigid even if clearly plastic-made). The case which -at launch time- have temporarily appeared as maybe a separate option was included. If it protects the lens well, removing it from the shipment would have reduced the price by nearly 600€ (at this level of price, every little thing could help) and moving this jewel around in so recognizable a Canon case would call for robbery. Who would be ready to put this case on the conveyor belt of an airport check-in counter? Seriously!

Speaking of image quality,I should let more competent people count lines, measure fringes, peep pixels and describe the technologies deployed by Canon. I can only say that all you se in the viewfinder looks great (f/4) but I would tell a little tale that I can share with you. Back from Kenya with plenty of photos (my finger is a bit heavy and the 70D continuous shooting is quite fast, even when I shoot completely immobile subjects). While reviewing the images, I tried to compare AF results of a leopard lying on the ground by merely zomming as much as possible on the eye of the animal and by checking the precision of the vein lines and iris colors.

Of course, this cannot stop you having fun shooting pictures (the leopard below really winked at me (you can see it by moving your mouse over the image – if you click, you will see his nice eye).

All in all, no regret. The Canon 200-400mm f/4 ext 1.4 is a sumptuous piece of optical photographic glass.

Of course, I must profusely thank Xtian for his considerable help.

If Canon Imaging is still growing thanks to a strongly depreciated Yen (given by Mr. Abe), the total number of shipped parts is dropping (-21% from 2013). And the compact cameras are going through the floor (-28%). Interchangeable Lens Digital Cameras are a fuzzy category (including DSLR and others), but the results are relatively good with (only) a 7% loss in shipped quantities.

Based upon this, it’s no surprise that Canon may be re-considering the importance of staying in the entry market where the competition comes from Chinese-designed and -produced cameras at bargain basement prices and from smartphones as expensive as many cameras but available at all time in our pockets. There was no such official information, but it’s heard through the grapevine that the decision may laready have been taken to move out of the entry-level point-and-shoot cameras to concentrate on more high-end products.

What do I think about it? It would make sense and it would be very consistent with the overall marketing strategy of the big brands (starting with Canon, Nikon and Sony) which are trying to elevate the performance of their products (bigger, more expensive, more pro DSLR; sometimes, going all out for the retro-fashion like with the Nikon Df; bigger sensors with the Full Frame sensors on every camera including the smallest ones). One possibility would still be for Canon to sub-contract these difficult entry-level products to Chinese designers with only a Canon label on top of them (to keep a fake market presence).

Everything has already been told and written (you’ll find below a list of announcement papers in other blogs), except the price: A whooping 11769 US Dollar! Even a little higher than what was expected.

The first lenses will be available at the end of May, but Canon sources confirm that the quantity will be very limited at first.

• PetaPixel
• PhotoCritic
• Canon rumors
• DPreview

And the case is 649 US dollars more…

Since then, the rumors extended beyond reason. The lens was seen several times in the hands of various photographers (in particular, during some sports events around the world). But it seems that Canon evidenced a serious issue last Summer, significantly delaying the launch. It’s impossible to know what it was, but the reality is that the lens exists and that it’s not available yet.

Despite a formidable price (forecast to be further than 11000 US dollars, or more than 10000 euros), it attracted the interest of many people because it exhibits an extraordinary set of features (extraordinary, even in the world of mega-zooms):

1. A 200-400mm zoom lens with a f/4 aperture, or a diaphragm very wide open without reaching the ridiculous price and weight of a f/2.8 aperture.
2. This combination has already been visible in the Nikon lens line for several year in the guise of the AF-S Nikkor 200-400mm f/4G ED VR which is already in its second generation (mainly for an upgrade of the optical image stabilization).
3. Its wide aperture allows to use a focal multiplier; but this kind of tool is often unpleasant to handle. The new Canon integrates a 1.4x multiplier in an internal mechanism that appears like a sort of side bulbous bump. The multiplier, thus, becomes always available at the minuscule cost of pushing a lever with a finger to bring it into the optical path. Nothing could be simpler!

This last item is clearly the innovation that shocked people into attention and could have a nice future if Canon learns how to handle the small associated mechanism (they do have the needed knowledge, of course).

According to Canon Rumors (which previously distinguished itself with a number of unfounded rumors about this lens and about other Canon products), the official announcement will happen in a few days (15th of May?) with full availability around Fall 2013. Nothing is certain, but if you want some more to feed your impatience, there is an Australian photographer, Joshua Holko, who has been authorized to publish a video review of a few minutes.

Thanks to Luminous Landscape.

• Dust-proof and splash-proof construction
• High image quality close to fixed focal length lens
• Focus limiter button (to speed AF up)

Sigma also disclosed that they want this lens to be the first in a long (and new) line of “sports-oriented” lenses (read: lens line of big focal lengths, and possibly relatively inexpensive… for long lenses).

So, we will have to wait until we can see if these features are accompanied with excellent optical quality (or not) for this Sigma new 120-300mm f/2.8 DG OS HSM lens.

Source: PetaPixel.

We are not alone. Plenty of people on the web have the same objective and they brought us exactly that: A wealth of comparisons, parallel tests and face-to-face reviews for the newest contenders for the title of “Most attractive enthusiast-targeting photo camera with a Full Frame sensor”.

• Low Light Comparison of the Canon 5D Mark II, 5D Mark III, and Nikon D800 from Joe Marine (via PetaPixel): It’s an impressive show of the Canon video performance (even calling the old 5D MkII in)
• DxOLabs does a number of reviews and comparisons aiming at the sensor quality (D800 & 5D MkIII): does not leave any doubt about the photo ability of the Nikon sensor (or should I say Sony sensor?).



• Nikon D800 vs. D3s and D7000 comparison by Cary Jordan: is obviously impressed by the D800 performance (as an excellent FX camera and as a very good DX/APS-C camera, too.)
• Canon EOS 5D Mk III Vs Nikon D800 at PhotoAnswers: is rather balanced but shows very nice D800 pictures.

However, based on the results of extensive testing this change in exposure value will not noticeably affect the captured image.

This is right: the discrepancy seems to be limited to 1/3 of a diaphragm. This is not much. But the users of a camera designed for experts, enthusiasts and pros may appear more difficult to convince than the wider audience of entry-level cameras.

We’ll see what the final outcome will be. Maybe not a full-fledged scandal (Canon is still OK to check your camera up in After Sales if you feel this is critical), but some bitter comments and a mild irritation…

Nevertheless, there is now an added surprise while Canon announced putting on hold the shipments of this new camera in most (all?) markets. It is also clear that Canon does not intend to organize a recall (at least right now), but it seems rather clear that the problem will not go away with a mere firmware update.

All that being said, it is important to remind ourselves that the issue is only occurring in rather extreme conditions: While shooting at high ISO (with very low light) but when a light source is illuminating the top of the camera. This is obviously not common. So, it is quite normal that Canon prefers to take very cautious steps while analyzing the situation.

It’s clear that the most recent launches by Canon and Nikon are fighting more or less each other on a market of experts and pros. So, in the recent days, I collected a number of comparisons between the Nikon D800 and the Canon EOS 5D MkIII to help you check this out by yourself:

• Video shootout: Nikon D800 vs. Canon 5D mkIII by Dan Chung
• Canon EOS 5D Mark III vs Nikon D800 noise at CameraLabs
• Bob Atkins: Pixel Matters – Canon EOS 5D MkIII vs Nikon D800
• Canon EOS 5D Mark III: primeras muestras y breve comparativa con la Nikon D800 (de QueSabesDe.com)
• CrisisLab: The F%^&ing Nikon D800 vs. Canon 5D mkIII Shootout with a YouTube video

Of course, these will stay in the pages specific to these two cameras.

If you are an astronomy photography buff, you certainly know that most current photo cameras include a digital imaging sensor which is very sensitive to Infra-Red light but which is covered with a filter to remove this. As a matter of fact, the IR sensitivity is annoying in most day-to-day photography situations. But astronomers like to be able to capture the light associated with some hydrogen atom emission (very common in the galaxies around us).

In the past some astronomers grabbed their tools and modified their cameras (yes removing parts from them!) but Canon is known to be willing to help (see the EOS 20Da a few years ago). Now, they offer a modified Canon EOS 60D where the IR filter has been modified substantially to keep it sensitive to most of the useful IR light. The Canon EOS 60Da should be marvelous for most astronomers at the price of US$1500 and with its sensitive 18 MP sensor.

Press Release

New Canon EOS 60Da DSLR Camera For Astronomy Enthusiasts Captures The True Colors Of The Cosmos

LAKE SUCCESS, N.Y., April 3, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the EOS 60Da Digital SLR Camera, a long-awaited successor to the EOS 20Da that is optimized for astrophotography. This DSLR caters to astronomers and hobbyists who enjoy capturing the beauty of the night sky by offering a modified infrared filter and a low-noise sensor with heightened hydrogen-alpha sensitivity. These modifications allow the camera to capture magnificent photographs of “red hydrogen emission” nebulae and other cosmic phenomena.

“The EOS 60Da is a testament to the constant desire to meet the needs of every customer, including those in specialized fields,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A., “This new camera enables an accurate depiction of a part of our solar system which is hard to achieve with conventional cameras but should be enjoyed and celebrated.”

The Canon EOS 60Da camera packs a powerful 18-megapixel CMOS sensor (APS-C) that produces sharp and high-contrast images of astronomical objects, a major enhancement over the EOS 20Da model’s 8.2-megapixel sensor. The improved infrared-blocking filter is a modification suited specifically toward astronomy enthusiasts to achieve a hydrogen-alpha light sensitivity that is approximately three times higher than that of a normal Canon DSLR camera. This produces a 20-percent higher transmittance of Hydrogen Alpha line, or H α wavelength, allowing astronomers to capture crisp, clear images of reddish, diffuse nebulae.

Enhanced Features
Crisp images of the stars and planets can be viewed on the EOS 60Da’s improved 3.0-inch Clear View LCD screen with 1,040,000 dots for detailed focusing. The flip-out Vari-angle screen allows photographers to adjust the screen for easy viewing without straining even while the camera is mounted to a telescope via a third-party T-ring adapter. Optimized for stargazing with friends or in an educational setting, astronomy enthusiasts can connect the camera to a TV with the provided AVC-DC400ST Stereo AV Video Cable and display the night sky on a TV monitor using the camera’s Live View mode. Moreover, the EOS 60Da’s Live View mode is equipped with a Silent Shooting feature that eliminates shutter-induced vibration for maximum camera stability when the camera is mounted to a telescope or super-telephoto EF lens.

Enhanced noise reduction on the EOS 60Da sensor offers photographers the ability to experiment with the wide array of ISO settings and increased ISO speeds up to 6400 expandable to 12800. Other features include an intelligent nine-point autofocus system, full manual controls, and RAW, JPEG, and RAW+JPEG image recording capabilities.

Accessories
The EOS 60Da helps capture the wonders of the night sky with its use of Canon’s award-winning EF and EF-S lenses along with other EOS accessories. Additionally, the EOS 60Da is packaged with Canon’s RA-E3 Remote Controller Adapter, providing the ability to connect a Canon Timer Remote Control such as the TC-80N3 (optional accessory). The TC-80N3 is ideal for controlling time exposures longer than 30 seconds as well as capturing a series of consecutive time exposures that can be composited during post-processing for improved image quality. This is especially useful when the camera body is connected to a telescopei or an EF super telephoto lens.

Canon has also included an AC adapter kit with the EOS 60Da, allowing the camera to be powered through an AC wall outlet or a battery-powered inverter, ideal for long exposure image or video capture at home or in the field.

Availability
As a specialized product, the EOS 60Da is only available to order from select authorized dealers. The estimated retail price is $1,499.00 and it is expected to be available this month.

This is starting to look like a bring refrain, in these recent weeks: The most recent photo cameras seem to have been launched before all the bugs could be detected and wiped out. As a simple reminder, I would list the following cases:

• The Canon EOS 5D MkIII files are not handled perfectly well in DPP v3.11.10 (the exact nature of the issue is not clear: Something to do with the details and micro-contrast in digital noise management).
• FStoppers seems to have found a light leaks or an exposure algorithm sensitivity to charge conditions of the battery of the Canon EOS 5D MkIII.
• Sometimes, the Nikon D800 does not switch itself OFF.

Canon and Nikon will certainly update soon either the camera firmware or the picture software program. But this is confirming once again that we no longer purchase photo cameras in the most traditional sense (marvelously fine-tuned mechanical systems) but computers (with all its software and… bugs).

We could well ask ourselves if we are not on the verge of waiting several weeks (or months?) before reviewing or even purchasing a new camera. We already knew that a camera firmware could exist as pre-production version (some preliminary tests and reviews are grossly wrong because of this) and that some brands (Sony, for the A77 and the A700?) sometimes take several months before producing a firmware worth describing as final.

Dear camera manufacturers, be more cautious: You will soon see customers become much less faithful, much more troubled. Your brand value could erode quickly if you do not stay faithful to the image the photographic industry had all along the XXth Century. This image could be lost easily…

Her other drawings are also worth a visit, and not only because of the quasi-photographic qualities.

So, after more than three years of reliable service, it leaves the market to a new camera whose MkIII suffix aptly shows that that it does not intend to bring revolution to the camera landscape but that it is here to satisfy the many happy users without letting any of the new competition make an lasting impression.

Slightly heavier than the MkII, the Canon EOS 5D MkIII brings some improvements:

• 22.3 mega-pixels (instead of 21.1 MP)
• 3.2″ LCD display (instead of 3″)
• Sensitivity: ISO 100-25600 [ext. ISO 50-102400] (instead of ISO 100-6400 [ext. ISO 50 to ISO 25600])
• Video: 60 fps (instead of 30 fps) in Full HD 720p
• Continuous shooting: 6 fps (instead of 3.9 fps)
• Autofocus system: 61 zones (instead of 9+6)
• Weather-sealed
• Optical viewfinder: 100% coverage (instead of 98%)
• Double memory slot: CompactFlash + SD (the transition to SD is now on us!)
• 63 zones (instead of 35) for exposure metering

The only-slightly-improved resolution brings a much better sensitivity (due to the excellent overall technology improvement). Canon appears very reasonable (who could blame them to consider that after 20 MP, there is no longer any real gain to expect from a wildly increased resolution?) for the best interest of the customers. More specifically, video modes now gains a sensitivity up to ISO 25600, which will certainly be a strong feature for video grabbing in “difficult” conditions.

The biggest improvement is certainly coming from the autofocus system: Welcome in the new world of the AF from the Canon EOS 1D-X! The only complaint (and it’s quite a moderate one) is to see that the AF zones leave a quite large area still uncovered on the picture borders. This may be a good news in that the same AF sensor may be re-used even more efficiently in a successor to the 7D which would get a nearly optimal coverage (such a strategy has been seen in the past).

The whole mechanics and electronics system has been improved and this is visible in the great leap forward of the continuous shooting frequency (nearly doubled). This is the result of a lot of (sometimes) tiny actions from the Canon designers and it bodes well for future test results.

On the opposite of what you may read elsewhere, I will not make positive comments about the DIGIC 5+ CPU which, as usual, Canon self-applauds without providing any technical information to support it. But it has certainly a role in the management of the new multiple exposure modes which are brought to life:

• HDR
• Additive
• Average
• Bright
• Dark

Apart from the very unsurprising HDR mode, we will need some experimenting with the other modes to discover what their real use will be (apart from providing good demonstration opportunities).

So, evolution or revolution?

For me, this is far from a revolution since the Canon EOS 5D MkIII will change nothing in the habits of the MkII customers. But three years of evolution in one step! the current users of the MkII will probably reach for their credit card while running to their preferred photo reseller. there are enough new and improved features to ensure that the change will be striking without generating too much of featuritis diziness. Canon was right in forcing us into patience.

Additional items

• Canon EOS 5D Mark III low-light ISO series samples at DPReview
• Samples images from Canon

Press Release

Canon U.S.A. Announces The Highly Anticipated EOS 5D Mark III Digital SLR Camera

Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features

LAKE SUCCESS, N.Y., March 2, 2012– On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon’s top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon’s answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon’s 25th anniversary celebration of the EOS camera system. Canon’s  award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses.

“We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles.  The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. 

The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.

EOS 5D Mark III Video: The Legacy Continues

The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.

The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production. 

The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moiré and color artifacts in scenes with horizontal lines.  The video footage produced will exhibit less moiré than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files.  Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.

The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.

Newly Developed Canon CMOS Sensor

With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.

The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.

The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.

Canon-Exclusive DIGIC 5+ Imaging Processor

The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.

Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.

High-Performance 61-Point High Density Reticular AF

For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models).  A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.

Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.

iFCL Metering

Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.

HDR Mode

The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ±3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects.  Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.

Multiple Exposure Mode

The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.

Comparative Playback

A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions. 

Durability, Reliability and Other Features

The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.

The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.

The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.

The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.

Accessories

The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras.  In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable.  With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting.  With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Dⁱ as well as the EOS 5D Mark III.ⁱⁱ

Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.

Speedlite 600EX-RT

In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT.  The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.

Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT.  Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites.  The Speedlite features enhanced weather-resistant construction — matching that of the EOS-1D X camera body — and a more reliable electrical contact.  The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.

Speedlite Transmitter ST-E3-RT

Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras. 

Pricing and Availability

The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in patent holdings in the U.S. in 2011^† and is one of Fortune Magazine's World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

†Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice.  Actual prices are set by individual dealers and may vary.

1. When the EOS 7D is used with the GP-E2, the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not work for movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.
2. In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

The EOS 5D Mark III requires a firmware upgrade to be compatible with the GPS Receiver GP-E2, which will be available soon.

Seeing the quality of the pictures and the elaborated presentation, it is not difficult to assert that this is really a leak organized in the offices of Canon within the scope of the launch campaign for the Canon EOS 5D MkIII. Of course, nobody will ever confirm this

But it is rumored that the launch will be happening on March 2nd (not far, eh!)

Source: CRF

Canon expected to start selling the new beautiful Canon 1D-X from March 2012. This will not happen. A UK representative of Canon told Associated Press that the pro camera based on an 18-mega-pixel Full Frame sensor will not be ready before the end of April 2012.

But, in the mean time, we learned a few things about feature items which (surprisingly) had not yet been disclosed by Canon:

• Its weight: 1530g
• The capacity of its new battery (between 250 views in LiveView at 0°C, and 1120 views behind the viewfinder at 23°C)

The price in UK will be £5,299, and 6.250 euros in the rest of Europe.

I don’t know if this should be a reason for rejoicing of worrying, but Nikon also tripped on similar issues with the D800E and D4.

Via AmateurPhotographer

The article translated in English by Google.

Availability of the Canon EOS 1D X: April 2012.

As a matter of fact, this is a camera which conciliates the Canon EOS 1D and EOS 1Ds families. We’re back to the Full Frame sensors, with 18 mega-pixels. the sensitivity climbs up to ISO 204.000 (a record for the category… for the time being) and the camera even produces very good images at ISO 25.600. After that point, only pros working for Celebrity News will accept the IQ degradation which is over what a studio photographer could tolerate. But this is quite an astonishing level for anyone like us mere mortals.

The other noticeable feature is the presence of a shutter allowing 12 frames per second continuous shooting! If you accept to lock the mirror up and to shoot without a viewfinder from the settings established just before the first frame, you can reach the heart-stopping rate of 14 frames per second. A noisy demonstration (noisy in all senses of the word):

Of course, there is also video grabbing (1080p at 24/25/30fps and 720p at 50/60fps).

Nobody will fail to also notice the huge AF sensor (61 points in total) associated to algorithms (and configuration options) aimed at making it perfectly usable in the worst conditions.

Impossible not to be impressed with these features. But some will wonder why and how Canon decided to so announce the disappearance of the APS-H sensor format that Canon had been using for years. Personally, I always thought that Canon would abandon it and choose either the Full Frame or the APS-C sensor sizes which are -now- the real market standards.

The Canon EOS 1d X is clearly sensitive, ready for competition with the best ones (including the Nikon D3s). Even the price is here with 7000 dollars.

Press Release

LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon’s arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon’s lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps).  Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.

The EOS-1D X announcement comes on the heels of Canon’s recent manufacturing milestone with the production of the Company’s 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.

“The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The Camera With Three Brains
The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera’s new EOS iTR (Intelligent Tracking and Recognition) AF.

The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work.  The new 18-megapixel full-frame CMOS sensor utilizes large pixels – 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor  – together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level.  The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light.  When combined with the Dual DIGIC 5+ imaging processors the results are stunning.  The images produced with the EOS-1D X camera’s new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon’s second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust. 

The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.

New 61-Point High Density Reticular AF
The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released.  The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8.  All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models).  A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)

EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance
The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.

Exposure Control
For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X’s 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure.  The new subject recognition capabilities enhance nearly all of the camera’s automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality. 

Multiple Exposure Modes
The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image. 

Super High Speed Mode
The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG mode*1. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X’s 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.

Enhanced EOS HD Video – New Compressions, Longer Recording
Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work.  The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production. 

Canon’s all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB.  The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.

The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. 

Enhanced Ergonomics & Optimized Design
Photographers familiar with Canon’s EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement.  The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options. 

The Live View Button has been conveniently placed near the user’s thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally.  On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position.  The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.

Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.

This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV.  A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.

Connectivity
For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission.  If the network were to go down, the camera will attempt to resend images until the files are sent.  The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.

Accessories
Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models.  With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras.  In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver*, which can be easily integrated into the camera’s body.  Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement – latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting.  The receiver will also record camera direction when shooting, even when shooting vertically.

Pricing and Availability
The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.

*1 Super High Speed Continuous shooting at 14 fps requires mirror lock and JPEG mode at ISO speeds less than 32000.

Kudos to Dominik but do not take this too seriously, though.

Source: Dominik Wörner’s blog, via PetaPixel.

So, patience is still very necessary here (Canon is finishing the actual launch of its pro primes lenses) but early 2012…

Source: Egami, an excellent technology patent blog.

The only problem: Nobody really knows what it’s about. And since the Canon-lovers actually have nothing to talk about at the time (Canon and Nikon had made it clear that it was not even worth inviting them to the Photokina if it was in September this year), the Internet is idly buzzing around.

Nothing filtered out, but since the event will be held in Hollywood and Canon has some trouble on the pro video market, November will probably not see any new DSLR from Canon…

It somehow funny to see how some people I won’t name (they will easily recognize themselves) keep stirring the pot of rumours for Nikon and Canon while they know perfectly well that they have no solid rumor to bring to the table since there is no announcement in the short term. For the time being those two brands are still fighting to put the existing productions back to the pre-Japan-earthquake levels rather than concentrating on new announcements.