1. Petapixel’s A Field Test of the $12,400 Nikon 180-400mm f/4 TC1.4
2. And the even better Shooting polar bears with the $12,000 Nikon 180-400mm F4E TC1.4 FL ED VR

Such a beast of lens is not for everybody, but you can’t beat reading real-world testing.

• User’s Manual English (for customers in Europe)
• User’s Manual English (for customers in the Americas)
• User’s Manual English (for customers in Asia, Oceania, the Middle East, and Africa)
• Benutzerhandbuch (Deutsch)
• Руководство пользователя (Русский)
• Manuel d’utilisation Français (pour les clients en Europe)
• Manuel d’utilisation Français (pour les clients en Amérique)
• Manual del usuario Español (para los clientes en América)
• Manual del usuario Español (para los clientes en Europa)
• Manual do Utilizador Português (para clientes na África)
• Manual do Utilizador Português (para clientes na Europa)

Read it well with your Nikon D500.

• User’s Manual English (for customers in Europe)
• User’s Manual English (for customers in the Americas)
• User’s Manual English (for customers in Asia, Oceania, the Middle East, and Africa)
• Manuel d’utilisation Français (pour les clients en Asie et en Afrique)
• Manuel d’utilisation Français (pour les clients en Amérique)
• Manuel d’utilisation Français (pour les clients en Europe)
• Manual del usuario Español (para los clientes en América)
• Manual del usuario Español (para los clientes en Europa)
• Benutzerhandbuch (Deutsch)
• Руководство пользователя (Русский)
• Manual do Utilizador Português (para clientes na África)
• Manual do Utilizador Português (para clientes na Europa)

• Nikon D4s user manual (English)
• Manuel utilisateur Nikon D4s (français)
• Nikon D4s Manual del usuario (español)
• D4s network guide (English)
• D4s Guía de red (español)

It seems that the wide availability of the Nikon D610 (and its improved shutter mechanism able to reduce dust/pollution levels to normal) makes Nikon able to extend the replacement of faulty shutter mechanisms in all D600.

Customers just have to ask. This is right in the US, but it is not clear if this is applicable in other regions.

Update: This service is now offered by Nikon France (and all other Nikon subsidiaries too).
Details on Nikon Europe.

Here are a few links to on-line copies of the Nikon D4 manuals:

• English version of the Nikon D4 User’s Manual (from Nikon USA)
• Version française du manuel d’utilisation du Nikon D4 (chez Nikon Canada)
• Version española del Manual del usuario – Nikon D4 (de Nikon USA)

Happy reading.

Nikon has decided to start renewing some of its sports- or wildlife-oriented long lenses this year (and probably in 2014 too). Starting in January 2013, they offer a monster of a lens, the Nikkor 800mm f/5.6 E FL ED VR.

It’s a monster of price (18,000 USD list price, but slightly better at B&H or Amazon), of weight (4.59 kg or 10.12 lb). But it’s also one of the longest focal you can really find on the market (older 1200mm heavy-weights are out-of-market, in all senses of the word).

The most prominent features are a dream for all photographers (in this category):

• Two ED glass elements (“fluorite” for those more used to Canon language, despite the small differences between these technologies)
• Electro-magnetically-controled diaphragm (like in the PC-E line of lenses)
• Included TC800-1.25E ED extender designed specially to create a 1000mm f/7.1 beast (the first extender ever to include an ED glass element).

PDN found a problem with the Nikon D4 and D800 while testing these. It seems that there are situations where the camera will lock up when the camera is used with either Highlights or histogram display.

Simply disabling these features will avoid this ugly lock-up (even if it is easy to restore normal operation by removal of the battery for a couple of seconds).

Nikon is looking for a correction. Most probably a firmware upgrade.

The only batteries that may be replaced hold the letter E or the letter F in 9th position in their serial number.

EN-EL15 Rechargeable Li-ion Battery Service Advisory (Nikon).

We are not alone. Plenty of people on the web have the same objective and they brought us exactly that: A wealth of comparisons, parallel tests and face-to-face reviews for the newest contenders for the title of “Most attractive enthusiast-targeting photo camera with a Full Frame sensor”.

• Low Light Comparison of the Canon 5D Mark II, 5D Mark III, and Nikon D800 from Joe Marine (via PetaPixel): It’s an impressive show of the Canon video performance (even calling the old 5D MkII in)
• DxOLabs does a number of reviews and comparisons aiming at the sensor quality (D800 & 5D MkIII): does not leave any doubt about the photo ability of the Nikon sensor (or should I say Sony sensor?).



• Nikon D800 vs. D3s and D7000 comparison by Cary Jordan: is obviously impressed by the D800 performance (as an excellent FX camera and as a very good DX/APS-C camera, too.)
• Canon EOS 5D Mk III Vs Nikon D800 at PhotoAnswers: is rather balanced but shows very nice D800 pictures.

According to their strategic partnership, Nikon keeps using the Sony digital sensors as they are brought to them (at least, for the entry-level and mid-range DSLR photo cameras). This approach allowed Nikon to produce a few good cameras. Today, with the announcement of the Nikon D3200, the same strategy still works:

1. Sony created a nice sensor (here an APS-C 24Mp imaging sensor)
2. Sony starts using it (in the SLT-A77, SLT-A65 and NEX-7)
3. Nikon applies it again as fast as possible within its own range: starting with the Nikon D3200

Advantage? Very good sensors (Sony is good at their design), available in large quantities, where Nikon plugs its excellent images software/firmware handling. The result should be a very attractive camera. What about the Nikon D3200?

As a matter of fact, te Nikon D3200 exhibits a rather beautiful collection of nice features:

• An APS-C 24 MP digital sensor (We can expect that Nikon will produce pictures slightly better than from Sony on the NEX-7 or the A77)
• The improvement of sensitivity (ISO 6400 now in standard and ISO 12800 in extended mode) seems limited but will have to be checked in future tests
• Full-HD 1080p video capture (and a connector for external microphone)
• A 3″ LCD display on the back with 920.000 pixels
• A black suit (very traditional) or a red coat (much wilder)

The external design is evolving slowly (compared to the previous Nikon DSLR, the grip is slightly slanted). But more importantly, the controls are changing with a video button now at the top of the body (very near the photo button).

An additional module will also allow to Wifi-connect to an Android phone or tablet (iPhone/iOS will only come a little later).

The probable price: $700 with he 18-55mm standard zoom, as soon as the end of April 2012 (so, very soon).

Links

• Sample images de Nikon
• Presentation of the D3200 at Nikon USA
• Presentation of the D3200 at Nikon global

Press Release

It’s clear that the most recent launches by Canon and Nikon are fighting more or less each other on a market of experts and pros. So, in the recent days, I collected a number of comparisons between the Nikon D800 and the Canon EOS 5D MkIII to help you check this out by yourself:

• Video shootout: Nikon D800 vs. Canon 5D mkIII by Dan Chung
• Canon EOS 5D Mark III vs Nikon D800 noise at CameraLabs
• Bob Atkins: Pixel Matters – Canon EOS 5D MkIII vs Nikon D800
• Canon EOS 5D Mark III: primeras muestras y breve comparativa con la Nikon D800 (de QueSabesDe.com)
• CrisisLab: The F%^&ing Nikon D800 vs. Canon 5D mkIII Shootout with a YouTube video

Of course, these will stay in the pages specific to these two cameras.

This is starting to look like a bring refrain, in these recent weeks: The most recent photo cameras seem to have been launched before all the bugs could be detected and wiped out. As a simple reminder, I would list the following cases:

• The Canon EOS 5D MkIII files are not handled perfectly well in DPP v3.11.10 (the exact nature of the issue is not clear: Something to do with the details and micro-contrast in digital noise management).
• FStoppers seems to have found a light leaks or an exposure algorithm sensitivity to charge conditions of the battery of the Canon EOS 5D MkIII.
• Sometimes, the Nikon D800 does not switch itself OFF.

Canon and Nikon will certainly update soon either the camera firmware or the picture software program. But this is confirming once again that we no longer purchase photo cameras in the most traditional sense (marvelously fine-tuned mechanical systems) but computers (with all its software and… bugs).

We could well ask ourselves if we are not on the verge of waiting several weeks (or months?) before reviewing or even purchasing a new camera. We already knew that a camera firmware could exist as pre-production version (some preliminary tests and reviews are grossly wrong because of this) and that some brands (Sony, for the A77 and the A700?) sometimes take several months before producing a firmware worth describing as final.

Dear camera manufacturers, be more cautious: You will soon see customers become much less faithful, much more troubled. Your brand value could erode quickly if you do not stay faithful to the image the photographic industry had all along the XXth Century. This image could be lost easily…

As always helping the user, YLovePhoto found direct links to freely download the user manuals for the Nikon D3100.

• Nikon D3100 User’s Manual – English – File Size: ~ 15.8 MB
• Nikon D3100 Manual de Usuario – Spanish – File Size: ~ 16.1 MB
• Manuel d’utilisation du reflex Nikon D3100 – Français ~6,52 Mo

Download the Nikon D800/D800e user manuals.

• D800/D800e User manual in English (2.8 MB, PDF file)
• D800/D800e User manual in English (2.8 MB, PDF file)
• D800/D800e User manual in Spanish (en Español)
• D800/D800e : mode d’emploi en français
• Mastering the Nikon D800 [Paperback on Amazon.com] by Darrell Young
• Mastering the Nikon D800 [Paperback sur Amazon.fr] par Darrell Young

If you find another version somewhere, please, let me know and I’ll update the list.

• Nikon D4: Not before mid-March 2012
• Nikon D800: Not before March 22nd
• Nikon D800E: Quantities may be so limited that we start wondering whether this was a special order from one customer which was used as a marketing scheme (no availability date according to Amazon).

They needed to be fast to satisfy customers starving from a long period of time with no new cameras. Maybe the manufacturers, like Nikon, rushed too much.

Official promotional video, with feature list:

Movie modes:

Curiously, Nikon ran directly in the opposite of the Nikon D700 whose sensor sacrificed a little resolution to gain more sensitivity. With the D800, Nikon enters the race to high resolution again with a size which is frightening even for the medium-format cameras. Nevertheless, the sensitivity is still not suffering from this strategy sine it is identical to the D700 offering three years ago: ISO 100-6400 (ext. ISO 25600). On the other hand, Nikon now moves to very serious HD video (1080p at 30, 25 or 24 frames per second).

As a matter of fact, the Nikon D800 shares a lot of technology with the recently announced Nikon D4. It is very perceptible in the video modes directly inspired from the D4, a common AF sensor (51 points), a monstrous exposure sensor of 91000 pixels assisted with a scene analysis processor boroughed from the D4, a wide 3.2″ and 921.000-pixel rear LCD display.

The only feature that is slightly lower than on the D700 seems to be the continuous shooting frequency which stays at 4 fps (or 6 fps in DX mode) instead of the previously-observed 8 fps on the D700. It is true that the D700 was mostly a camera for quiet photography (some marketing guys and gals will say “for landscape or studio photography”). The D800 will follow in this path.

So, we have a DSLR camera for the pros (no less than $3000/3300€ for the body only, mind you!) which brings the newest innovations in the competition against the Canon EOS 5D MkII.

But where Nikon gets really serious, is when they announce a specific model, a kind of limited series, where Nikon removed the anti-aliasing filter from the surface of the imaging sensor. The Nikon D800E is supposed to grab a little advantage in terms of fine-pitched images, or contrast of the pictures (there is one less filter) at the moderate price of theoretical risks of moire. But Nikon promises us that nothing will be lost here thanks to its algorithmic ability to do local optimizations (I have to admit that the processing power of the embedded EXPEED 3 seems to justify this optimism).

The main message is that image quality will be at record levels on the Nikon D800E and that the D800 will be slightly less expensive (it’s still to be seen if the buyers will accept to pay 300€ more for this difference). On the other hand, we can imagine that the Nikon D800 will be a Trojan Horse introduced in the Nikon battle for video in the hands of pro photographers (Canon is in their sights).

Press Release

MELVILLE, N.Y. (Feb 6, 2012) –  Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers.  A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Whether shooting high fashion, weddings or multimedia content, Nikon’s highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon’s latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution. 

“Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality,” said Bo Kajiwara, director of marketing, Nikon Inc. “The D800 is the right tool for today’s creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control.”

Extreme Image Quality

The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon’s highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon’s first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor’s photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions.  Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution.  Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800×3200) resolution.  

Contributing to the camera’s rapid performance and amazing image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.  

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system’s core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon’s exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride’s face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.    

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon’s Active D-lighting for balanced exposure. Another new feature is direct access to Nikon’s Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience

The Nikon D800 has a compact and lightweight form factor that’s preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera’s power aperture setting in live view for an accurate representation of the depth of field in a scene.  Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera’s LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What’s more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy

Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional’s need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability

The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage.  For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon’s acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E – Maximum Resolution Unleashed

In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer’s workflow.

Price and Availability

The Nikon D800 will be available in late March for the suggested retail price of $2999.95.1 The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95. For more information about these models, NIKKOR lenses and other D-SLR cameras please visit www.nikonusa.com. 

1. colorful cameras
2. retro-styled cameras that try not to look old

Two recent examples: A white Nikon V1 and a retro-styled Samsung NX-200 RS (with only a metalized plastic top to distance itself from the usual all-black livery).

They did not reach very far, though. There still some before we can draw on the surface of the camera like with our mobile phones…

While waiting for this dream future, we still have to be patient until we see the next camera from Olympus which (according to PhotoRumors) could well look a lot like an Olympus OM SLR camera from old times.

Funny, but until there is some clarification of the financial status of the Olympus mother company, I will sit and look from some distance, with a tender smile on my face.

Nobody’s really surprised by the presence of the Nikon D700 since Nikon will announce its successor the Nikon D800 as soon as the beginning of next month (probably on February 7th).

On the contrary, if many people (like me) are waiting impatiently the successor to the Nikon D300s which started to look old; Despite its qualities, the competition progressed a lot in the last two years.

So, is this announcing the demise of the D300s and the presentation of a new Nikon D400 in February? At first, some thought it could be an error (!) but after more than 24 hours on site, the error seems to be here to stay. But we are clearly out of rumors about the Nikon D400.

First, here are a few pictures of the magnesium alloy frame of the Nikon D4. Isn’t it beautiful?

To go further, and without wiating for the legal approval to use the Wifi interface, Engadget could (quickly) test the use of the Nikon D4 tethered to an Ethernet connection. They could collect a few photos and a video:

Last but not least, for our Spanish or Spanish-speaking friends, I recommend a stop by the article on QueSabesDe.com: Nikon D4: primeras impresiones.

It starts with a very ambitious top sensitivity at ISO 204,800. The race for high-ISOs is pleasantly replacing the race for more pixels, and the Nikon D4 is quite happy with a comfortable 16 MP figure (but, really, who needs more? The Nikon D700 had already demonstrated this).

But, first and foremost, it is a brilliant show of what pro photography is becoming and how it starts to integrate some features from commoners cameras.

• Finally, video is fully integrated. Pros were already exploring seriously this field.
• The AF system is ever more powerful (no pro wants to miss a shot to fuzziness) and Nikon keeps this feature at stratospheric levels. But offering 11 sensors working up to f/8 (the usual limit is f/5.6) will allow to exploit very big tele-lenses x2 converters while some photographer were limited (provided they could purchase the optical monsters).



• the Compact Flash card replacement is now among us: The XQD format (and this is no random fluke in the information flow that the first to sell the cards is Sony; What do you believe will be in the next Sony Full Frame photo cameras a little later this year?)
• Yes! It’s still possible to enlarge the LCD screen on the back of the camera body. Here comes the 3.2″ era (while we were still in the 3″ prehistory). But bringing this on consumer cameras may be limited by the size of the camera body.
• the virtual horizon is now standard. But there is no GPS.
• Face recognition is included in the exposure computation, but who cares about displaying those annoying little squares in the viewfinder? The customers are not bragging little boys, real pros don’t flash their displays!

There is no space for fun here (even the price makes everything look serious around 6000€), but most of these improvements are bound to percolate down into consumer cameras (but not this year, though).

Those features left out (e.g. no SD card, no GPS) are clearly considered as uninteresting for serious photographers.

So, dream on.

Videos

∓

Let’s be clear, at 6000€/US$6000, the Nikon D4 is not a real concern for most photographers. But like all professional cameras, it represents some advanced picture of the possible progress that we may see come to us… in some future time.

Main features

• 16.2 MP sensor sized as FX (or Full Frame)
• Sensitivity: ISO 100-12800 (ext. ISO 50-204.800)
• Video: Full HD up to 30 i/s, at ISO 200-204.800
• Continuous shooting at 10 fps
• Professional shutter designed for 400,000 shots
• Exposure driven by a new 91000-pixel sensor, including advanced features like face recognition
• Autofocus: Advanced Multi-CAM 3500FX / 51 points
• Autofocus: 11 zones are able to operate up to f/8
• Viewfinder: 100% coverage
• 3.2″ LCD screen (always bigger) with 921,000 pixels
• Virtual horizon
• Memory cards: new XQD format, and Compact Flash slots
• Magnesium alloy body

Available from February 2012.

Nikon D4 Press Release

The next-generation flagship Nikon digital-SLR camera with the ultimate in versatility and functionality

TOKYO – Nikon Corporation is pleased to announce the release of the Nikon D4, a Nikon FX-format camera that serves as the new flagship model in Nikon’s lineup of digital-SLR cameras. Nikon will be exhibiting the D4 at the 2012 International CES, to be held Tuesday, January 10 through Friday, January 13 in Las Vegas, Nevada. This electronics exhibition is open to the public.

The D4 is equipped with a new Nikon FX-format CMOS image sensor (imaging size of 36.0 x 23.9 mm) and EXPEED 3, the latest image-processing engine specifically optimized for digital-SLR cameras, making it the next-generation flagship Nikon digital-SLR camera with the ultimate in versatility and functionality that offers superior image quality rich in detail along with excellent high-speed performance. It has an effective pixel count of 16.2-million pixels, and offers superior image quality under a broad range of lighting conditions with its image sensor supporting an incredible range of sensitivities from ISO 50 to ISO 204800.

The new 91K-pixel (approximately 91,000 pixels) RGB sensor supports the Advanced Scene Recognition System, which is able to recognize human faces even when images are framed using the optical viewfinder. In addition, the Advanced Scene Recognition System offers significant improvements in AF, AE, i-TTL flash control, and auto white balance (AWB) control accuracy. The 51 focus point AF system has been improved with faster initiation of autofocusing and the ability to detect and focus on subjects with less lighting. In addition, 11 focus points are fully functional when lenses with a maximum aperture of f/8 are used. All of this means more precise autofocusing when super-telephoto NIKKOR lenses are used with teleconverters (2.0x). The Multi-area Mode Full HD D-movie movie recording function is capable of recording full-HD movies at 30 fps, and offers three movie recording formats for selection according to recording conditions or creative intent.

What’s more, the D4 records images to memory cards faster with built-in support for high-speed, UDMA 7-compatible CompactFlash memory cards and next-generation, high-speed XQD memory cards. In addition to built-in wired LAN features, the D4 also supports high-speed image transfer via wireless LAN when the new, compact, easy-to-use Wireless Transmitter WT-5 (available separately) is connected to the camera. The D4 is also equipped with a number of new functions that support a more efficient workflow for professional photographers, including one that allows users to add IPTC (International Press Telecommunications Council) information to images.

Development background

In 2007, Nikon released the D3 digital-SLR camera as its flagship model equipped with the new FX-format CMOS image sensor developed by Nikon. With its new image sensor, the D3 established a new level of image quality, speed, and support for high sensitivities. In December of 2008, Nikon released the D3X with an effective pixel count of 24.5-million pixels, which enabled superior imaging performance equal to that possible with medium format cameras. In the following year, the D3S proposed new possibilities in imaging expression with its expanded range of standard sensitivities from ISO 200 to ISO 12800 and a built-in movie recording function. The superior performance of the Nikon D3 was recognized with three of the most prestigious domestic and international awards—Japan’s Camera Grand Prix Camera of the Year and Europe’s Technical Image Press Association’s (TIPA) Best D-SLR Professional and the European Imaging and Sound Association’s (EISA) Professional Camera of the Year. The D3X and D3S continued the success of the series introduced with the D3, being recognized by the camera industry for their superior performance with a number of awards of their own as well as extreme popularity with professional and advanced amateur photographers alike. In addition, the superior durability and reliability of the cameras has also been recognized by NASA, which ordered several models as-is, with no special modification, that are currently used aboard the International Space Station (ISS).

Nikon based development of the flagship D4 on the basic performance achieved with the D3 series, which has led the industry in imaging expression since its release. In addition to this high level of basic performance, a number of new functions and features were added in response to the needs and demands of professional and advanced amateur photographers, resulting in this next-generation digital-SLR camera that stretches the boundaries of functionality and performance with superior versatility.

D4 primary features

New Nikon FX-format CMOS image sensor

Support for an incredibly wide range of sensitivities, from ISO 50 to ISO 204800
The D4 is equipped with a new Nikon FX-format CMOS image sensor (imaging size of 36.0 x 23.9 mm) developed by Nikon. The superior performance of the FX-format CMOS image sensor with its effective pixel count of 16.2-million pixels offers excellent resolution and image quality under an incredible variety of lighting conditions. Despite the increase in pixel count, the D4 reads out data faster than the D3S. The range of standard sensitivities has been expanded to ISO 100 to ISO 12800. What’s more, support for ISO 50 and additional expansion up to ISO 204800 is also possible, enabling effective shooting under a variety of lighting conditions without concern for any sacrifice in image quality.

New EXPEED 3 image-processing engine with superior, high-speed processing capabilities

The new EXPEED 3 image-processing engine built into the D4 offers better image quality and even faster processing speeds for vivid yet faithful color reproduction, a broader dynamic range, and rich expression of tones. It also effectively suppresses noise with advanced noise-reduction processing for images captured at high sensitivities under dim lighting, all while preserving definition and sharpness. Noise-reduction processing designed especially for movies maintains crisp, clear outlines in movies recorded in low-light situations. EXPEED 3 has high-speed processing capabilities for a variety of task, and it uses power effectively, contributing greatly to the camera’s power-saving design.

91K-pixel RGB sensor for the more accurate Advanced Scene Recognition System

The D4 is equipped with the Advanced Scene Recognition System, which supports face recognition* when images are framed using the optical viewfinder. The new 91K-pixel (approximately 91,000 pixels) RGB sensor recognizes human faces for more frequent focus acquisition on human faces when Auto-area AF AF-area mode is used. When a human face is detected in the frame, 3D Color Matrix Metering III bases exposure control on the brightness of that face so that the face is optimally exposed even with backlighting. In addition, the high resolution of the metering sensor with its roughly 91,000 pixels enables extremely precise analysis of the scene for more accurate control over autofocusing, auto exposure, i-TTL flash control, and auto white balance.

* There is no display in the viewfinder that shows when a face or faces have been recognized.

Faster and more accurate AF with 51 focus points

The 51 focus point AF system built into the D4 utilizes the new Advanced Multi-CAM 3500FX autofocus sensor module for faster, more accurate autofocusing that performs extremely well under dim lighting.
The 15 focus points at the center of the frame are cross-type sensors that detect phase differences both horizontally and vertically. All 51 focus points are fully functional when lenses with a maximum aperture of up to f/5.6 are used, and the cross-type sensors make the most of this capability. Precise focus can be quickly acquired with autofocusing using all AF NIKKOR lenses, even under lighting as dim as -2 EV (ISO 100, 20°C/68°F), the level at which the scene through the viewfinder can just be made out by the human eye. What’s more, 11 focus points (five at center with an additional three to each side) are fully functional when lenses with a maximum aperture of f/8 are used. This enables very precise focus acquisition with sports photography and the like when super-telephoto NIKKOR lenses are used with a teleconverter (2.0x) at a combined aperture value of f/8.
In addition, adoption of a new algorithm enables faster autofocus initiation for even more certain and sharper capture of defining moments especially necessary when shooting sports scenes. The new high-speed AF system also supports high-speed continuous shooting at approximately 10 fps* in FX format with AF and AE tracking.

* Measured according to CIPA guidelines. Value with shooting in AF-C autofocus mode, [S] or [M] exposure mode, shutter speed of 1/250 s or faster, all other settings at their default values.

Multi-area Mode Full HD D-movie with three image area options

A dedicated movie-record button has been positioned near the shutter-release button for smooth starting and stopping of movie recording with a feel similar to that of still-image shooting. Full-HD movie recording at a frame size of 1920 x 1080 and frame rate of 30 fps is supported, and the H.264/MPEG-4 AVC video compression method has been adopted. Movies up to 29 minutes 59 seconds*1 can be recorded. Image sensor sensitivity begins at ISO 200 and can be expanded to the same ISO 204800 equivalent possible with still-image shooting.
Full-HD movies can be recorded with the D4 using one of three image areas: FX-based movie format*2, DX-based movie format, or 1920 x 1080; 30 fps/25 fps/24 fps crop. FX-based movie format makes full use of the large image sensor, enabling movies with an emphasis on pleasing blur characteristics. When a DX lens is attached, DX-based format is automatically selected. This format is useful for creating an extension to the local length of an existing lens. For an even stronger telephoto effect, the 1920 x 1080 crop format brings an approximately 2.7x crop of the picture angle while delivering outstanding video quality and detail, obtaining 1080p Full HD. By choosing the movie format appropriate for the particular scene, the three image area options available with a single camera enable more flexible imaging expression through collaboration with the entire NIKKOR lens lineup, including DX lenses.
The D4 is equipped with a connector for external microphones that enables stereo recording. The camera also offers a headphone connector that supports stereo headphones, convenient for checking sound recorded with movies.

*1 20 min. depending on frame size/rate and movie quality settings.
*2 Movies are recorded with an aspect ratio of 16: 9 regardless of the format selected. Aspect ratio is 3 : 2 with recording at a frame size/rate of 640 x 424; 30 fps and 640 x 424; 25 fps.

Smooth workflow from initial setup to image transfer

The entire photographic workflow is faster with the D4. Superior, high-speed response with a power-up time of approximately 0.12 s*1 and a release time lag of roughly 0.042 s*1. In addition, support for high-speed, next-generation XQD memory cards enables a continuous shooting frame rate of 10 fps for up to approximately 100 shots even with shooting in RAW format*2. The camera is also equipped with dual memory card slots, one for XQD memory cards and one for CompactFlash memory cards, for smooth handling of images. What’s more, professional photographers can work much faster with high-speed transfer of images to a computer when an XQD memory card reader supporting SuperSpeed USB (USB 3.0)*3 is used.

*1 Measured according to CIPA guidelines
*2 When a Sony XQD memory card H-series (QD-H16G, QD-H32) is used with capture of compressed 12-bit NEF (RAW) images (based on Nikon testing standards)
*3 Sony MRW-E80 (based on Sony testing standards)

The new compact Wireless Transmitter WT-5 with simple connection to the camera (available separately)

The D4 is equipped with an Ethernet port and functions for wired LAN connections. In addition, it also supports the new WT-5 (available separately), a compact wireless transmitter that is easily connected to the camera for high-speed transfer of images over a wireless network.* The D4 is also equipped with a number of new functions that support a more efficient workflow for professional photographers, including one that allows users to add IPTC (International Press Telecommunications Council) information to images.
The new WT-5 is powered by the camera, making a more compact size possible. In addition to IEEE 802.11a/b/g standards, the WT-5 also supports the new IEEE 802.11n (1 x 1) standard, enabling data transfer at twice the speed possible with the WT-4. The camera’s HTTP server mode can be used to display a list of images stored on the memory card, and also enables basic camera control, live view, movie recording, etc. using the Web browser on a computer or smartphone. Synchronized release (WT-5 only) mode enables synchronized shutter release of up to 10 cameras D4 cameras, each with its own WT-5) with the D4 used as the controlling “master”.

* The Wireless Transmitter WT-4 can also be used.

Other D4 functions and features

• Extremely durable shutter that has passed testing for 400,000 cycles
• Magnesium alloy adopted for the very strong, durably body that is very resistant to dust and water
• Effective sealing using O rings and packing make the camera more resistant to dust and water
• Silent shutter-release mode for live view photography that almost completely eliminates the sounds of the mirror and shutter operation
• A time-lapse photography feature, with which the camera automatically takes photos at selected intervals to record a time-lapse movie, which can be played back at 24–36,000x normal playback speed
• Operation optimized for both horizontal (landscape) and vertical (portrait) shooting
• Button backlights (illuminators) for increased visibility when working in dimly lit or dark situations
• High-performance viewfinder, utilizing a glass pentaprism, with a frame coverage of approximately 100% (FX format) and magnification of approximately 0.7x
• Four image area options for still shooting—FX (36 x 24), 5:4 (30 x 24), 1.2x (30 x 20), DX (24 x 16)—with viewfinder indicator that identifies the current image area
• A 3.2-inch, approximately 921k-dot LCD monitor with reinforced glass and wide viewing angle; integration of the glass and panel reduce internal reflections
• A virtual horizon that shows the degree to which the camera is tilted sideways (roll), forward or backward (pitch) with display in the monitor and viewfinder
• White balance that can be adjusted in units of 10 K; white balance can be specified separately for shooting (white balance applied to images) and monitor display with still-image shooting in live view mode
  Capture NX 2 Ver. 2.3 for significantly faster processing
  A

• trial version and free upgrade for Capture NX 2, Nikon’s image editing software, were released on December 20 to coincide with release of the D4. This latest version is Capture NX 2 Ver. 2.3. In addition to offering image editing functions that allow users to achieve the intended results with intuitive operation, a faster image-processing algorithm has been adopted for much faster processing. What’s more, operation is smoother and more natural with the addition of native compatibility with 64-bit operating systems.

According to this, the Nikon D400 would be using a different sensor of a more specifically Nikon design and of a lower pixel resolution.

No date, no image, though.

It is relatively clear that Nikon decided to segment its marketing offering. These new cameras open a clear pathway to a new range of image quality but Nikon recognizes that the potential customers of the Nikon 1 will probably accept a slightly lower IQ compared to the SLR gear.

This is quite logical: They must avoid cannibalizing the SLR range by these new Nikon 1. Good move! Better than at some other camera manufacturers.For example, Sony takes the risk of seeing the NEX range consume a part of the market of SLR cameras (all the more because the Alpha cameras are now ready to fight at the entry-level of costs thanks to the technology of semi-transparent mirrors).

Press Release

MELVILLE, N.Y. (Sept 21, 2011) – Nikon Inc. today announced a revolutionary new digital imaging system built from the ground up to empower users with new ways to tell stories through photography, driven by imaginative next-generation technology. The iconic new Nikon 1 system is designed to become one with the user and their lifestyle, providing a unique form of expression with amazing image quality, speed and portability.

From Nikon, a company with more than 75 years in imaging excellence, the Nikon 1 J1 is an advanced camera with interchangeable lenses that opens the door to a fresh way to capture pictures and High Definition (HD) movies. This Nikon 1 system represents a new category of camera that challenges conventional thinking, emphasizing a pocketable form factor with unbelievable speed, combined with the high image quality that only Nikon could create. Thanks to a wealth of innovative technologies, the Nikon J1 camera is a simple to use conduit for creativity, seemingly anticipating a consumer’s needs in any situation. Moments are instantly captured using amazingly fast new hybrid Autofocus (AF), and blazing fast speed with continuous AF. Users can also shoot with confidence knowing that the Smart Photo Selector will automatically capture the best possible image without a second thought. Furthermore, just a touch of the shutter button instantly captures a high quality image while simultaneously recording Full HD 1080p movies, and the exciting new Motion Snapshot mode captures fleeting moments like never before with a combination of moving and still images, bringing memories to life. To accompany this exciting new form factor, Nikon created the entirely new 1 NIKKOR lens system that seamlessly integrates powerful precision optics into a camera platform to capture more of the world around the user.

“The needs of the consumer are changing and the world is becoming one of visual conversation, which paves the way for the next chapter in image capture devices. The new Nikon 1 system is the culmination of more than 75 years of optical excellence and relentless pursuit to the unrivaled technological advancements in camera technology,” said Bo Kajiwara, Director of Marketing, Nikon Inc. “Nikon’s new 1 J1 camera allows consumers to have confidence in a new way to express themselves, with amazing speed, versatility, ease of use and portability.”

One Purpose: A Revolutionary New System

The new Nikon 1 system is a completely original concept, engineered specifically to strike the ultimate balance of performance, intuitive simplicity and portability to chronicle life like never before. This breakthrough platform lays the foundation for future technologies, and the Nikon 1 system has been created for the consumer who wants to capture, share and connect to life. The fully electronic lens system enables the camera to keep pace with an active lifestyle and delivers amazing images and Full HD 1080p movies to connect with friends and family. Whether it’s a spontaneous outing or a planned trek abroad, the versatility of interchangeable lenses in a convenient form factor will allow a consumer to take the camera with them wherever life leads. Furthermore, the J1 camera makes a personal style statement with a variety of matching colored camera bodies and lenses.

The heart of the new J1 camera is the new Nikon developed CX-format, 10.1 megapixel High-Speed AF CMOS sensor that helps make this camera the pinnacle of portable performance.  The newly developed CMOS sensor has been engineered for amazing image quality in a variety of lighting conditions, with a native ISO range of 100-3200 (6400 Hi-1) for maximum versatility. Images captured with this new sensor exhibit striking colors, vivid hues and rich detail so lifelike, it’s the next best thing to being there as memories unfold.

Nikon’s exclusive new EXPEED 3 image processing engine drives the system and is the catalyst behind the camera’s rapid response, fast AF and high-speed performance. In addition, the new dual core EXPEED 3 processor works to maximize battery efficiency while yielding images and movies with low noise and vibrant tones. The Nikon J1 is engineered for maximum ease of use, featuring a clean button layout and intuitive graphical interface. Distractions and menus are minimized; creating a clear path to the camera’s advanced functions, further unleashing creative potential.

The Fastest One

From first steps to first date, life moves fast and the Nikon J1 is the camera to keep pace. The camera seemingly anticipates action with amazing autofocus, response time and operation. The new advanced hybrid AF system is the world’s fastest autofocus¹, allowing consumers to capture more of their world than ever before. The Nikon J1 features new focal plane phase detection AF that reacts instantly to deliver incredibly fast, split-second response. Wherever action is happening in the frame, the 73-point AF system will get the shot. This newly developed hybrid system continuously evaluates the scene at hand for optimal results, and can switch between phase detection and contrast detect AF to best suit the scene. Whether shooting in low-light conditions like a late night block party, or a fast moving pick-up game, photographers can capture details with confidence.

When the action is happening, users can also shoot at a fast 10 frames per second (fps), with full adaptive AF for frame after frame of images with incredible sharpness and detail. Additionally, the scene can be captured at full resolution up to a staggering 60 fps (AF locked), which is the world’s fastest continuous shooting speed². So go ahead and capture a best friend’s high dive at the next pool party, and then confidently share every aspect of the leap with stunning detail.

The One That Inspires a New Way to Capture with Motion Snapshot

Motion Snapshot is a new approach to capturing images that will dramatically alter the way we perceive digital photography. By selecting the Motion Snapshot icon from the Mode Dial at the back of the camera, consumers can capture fleeting moments with staggering depth and emotion like never before. The result unites a frozen still image with a slow-motion movement set to a built-in audio soundtrack to create a portrayal of an occurrence with maximum impact. With Motion Snapshot, users are now able to relive memories in stunning detail, as real movement and depth are included in the image. Motion Snapshot provides a way to once again experience someone’s hair flowing in the breeze or relaxing scenes like waves crashing or rustling leaves that evoke an emotional response.

Consumers are also able to create masterpieces of moving images from multiple files using the included Short Movie Creator software. This easy-to-use, intuitive software works in conjunction with Nikon’s View NX2 to make managing photos and movies fun and easy. With these programs, users are empowered to organize, share and edit photos, Motion Snapshots and HD movies.  Users are also able to connect and share Motion Snapshot files using Nikon’s my Picturetown, an online resource at www.mypicturetown.com.

The One to Set Trends

Both the camera technology and exterior design were inspired by the pursuit of balance, as a device that lives in perfect accord with any lifestyle. The lines are clean and minimalist, the colors are vibrant, creating a stylish accessory for every personality. The design is meant to inspire creativity, with a simple interface and easy-to-use camera controls, intuitively placed for any user. Switching from modes and accessing advanced features is easy, enabling the user to further push creative boundaries, whether trusting the smart automatic settings or creatively exploring the full manual control modes.

Control highlights include a Mode Dial, with the four main common functions readily available, in addition to a Command Dial with common camera settings. The new “F” (feature) button is a new design element to Nikon cameras, which automatically brings up relevant menus and options based on what mode the camera is set.

The Nikon 1 system is further complemented by fashionable, premium accessories tailored to perfectly fit a user’s lifestyle. These accessories include a custom fit body case set available in a variety of colors, as well as fashionable, color coordinated leather neck and hand straps.

The Smart One: Nikon’s Smart Photo Selector

The new Nikon J1 is an advanced camera with interchangeable lenses that features new technologies aimed at creating better pictures, easier. Nikon’s new Smart Photo Selector feature strives to deliver a perfect image every time. When a “can’t miss” photo opportunity arises, users can switch to the Smart Photo Selector mode which uses the camera’s pre-cache to start shooting and storing images. All of these images are analyzed within the camera, and the best photo is selected based on a number of factors including exposure, focus and advanced facial recognition. While the camera suggests the best image, five frames are recorded, providing the user a choice of their favorite photo.  What’s more, the J1 also includes favorite core Nikon technologies, such as Active D-lighting, Auto Scene Selector and Picture Controls.

One Device That Also Captures HD Movies

The new CX-format CMOS sensor produces breathtaking Full HD movies at 1080p (30 fps). Users can also shoot at a rapid 60 fps (1080i), or elevate the production with additional 30/60/400 and 1200 fps modes for super slow motion effects. The J1 is made to be flexible, and can capture both HD movies and high resolution images simultaneously. Simply press the shutter while recording to freeze the action with a high quality image file with sharp focus.

Additionally, the Nikon J1 applies noise reduction to movie files, giving the user amazingly sharp, crisp movies with deep black levels. This feature makes this the ideal camera for shooting movies when light is less than ideal, such as indoors or at night. A full HD movie can record a full 29 minutes, while the senses are further treated to sound sampled in full stereo for lifelike reproduction.

One Vision, Two Distinct Cameras

The Nikon J1 is the model designed for those consumers who use a camera as part of their connected lifestyle; always carrying it to bring passion and depth to visual storytelling. Both the camera and the lenses come in a variety of matching stylish colors, including white, pink, red, silver and black. Photos and movies are easily composed and shared on the bright 3.0-inch high-resolution LCD monitor. With the aid of the concealed pop-up flash, consumers can easily add fill flash as needed or shoot in most conditions including low-light.

The Nikon 1 V1 is for photo enthusiasts who value interchangeable lens versatility and desire a small form factor. In fact, it’s the world’s smallest and lightest camera in the world with interchangeable lens versatility and an electronic viewfinder (EVF)³. Aimed at the user excited about creating amazing images and movies, the Nikon V1 has added features including a 1.4 million dot high resolution EVF that automatically activates when the user raises the camera to their eye. In addition to the high-speed electronic shutter, the magnesium alloy body conceals a high performance mechanical shutter that affords tactile feedback and expanded shooting options. The V1 camera also features Nikon’s new Multi-Accessory Port for attaching options such as the new SB-N5 compact speedlight, or the GP-N100 GPS module. For those making movies, the V1 has a stereo microphone input for professional quality audio.

1 NIKKOR Lenses and Accessories

Building upon a 75 year legacy of NIKKOR lenses and optical excellence, the new 1 NIKKOR lens system has been developed to push the boundaries of what’s possible. Experience as the world leader in optical engineering has driven Nikon to create a compact, lightweight lens system that provides users with stunning image quality. New technology in these lenses includes a Silent Stepping Motor (STM) for whisper quiet AF and zoom during operation and while shooting movies. Additionally, this high performance system places Nikon’s VR II image stabilization technology inside lenses to minimize instances of camera shake. The result is sharp images in a variety of challenging lighting conditions, even while handheld.

The new system offers a lens for every occasion. The camera kit includes a color-matched 1 NIKKOR VR 10-30mm f/3.5-5.6 lens (27-81mm 35mm equivalent) for optimal focal range in a small lens. For those needing maximum versatility, a 1 NIKKOR VR 30-110mm f/3.8-5.6 lens (81-297mm equivalent) is available, or users can explore their creative side with a color matched 1 NIKKOR 10mm f/2.8 pancake lens (27mm equivalent). For the movie enthusiast, a new 1 NIKKOR VR 10-100mm f/4.5-5.6 (27-270mm equivalent) power zoom lens will be available. This new lens is Nikon’s first powered zoom, and provides smooth and silent changes in focal length while recording movies. Additionally, the FT-1 F-mount adaptor for legacy NIKKOR lenses will be available in the future, so that photographers can utilize their collection of quality NIKKOR lenses.

Price and Availability

The Nikon J1 and V1 will be available throughout the United States beginning October 20^th. The Nikon J1 camera with 10-30mm lens kit will be available at a suggested retail price⁴ of $649.95. The Nikon V1 camera with 10-30mm lens kit will be available for a suggested retail price⁴ of $899.95. For more information, please visit www.nikonusa.com.

1: Based on performance with shooting using a standard zoom lens (10-30) at the maximum wide-angle position with AF-area mode set to Single-point (results based on Nikon test conditions)

2: The world’s fastest continuous shooting speed: 60 fps (while the AF is locked in the first frame) (shot at full resolution (10M)). Among cameras with interchangeable lenses

3: Among cameras with interchangeable lenses with a built-in electronic viewfinder (EVF).

4:  Suggested retail price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time

*Comparison models include the Nikon D3100, Sony NEX-5, NEX-2 NEX-C3 NEX-5N, Olympus E-PL1s, E-PL2, E-P3, E-PL3, Panasonic G10, GF-2, GH2, G3 Samsung NX-10, NX100

The D3100 is an entry-level SLR photo camera which appears as the most well sold on many markets of the world. It will certainly take advantage of this new red option to extend its market share and to reach some new customers. It gets a new slightly different but still very serious look which is good for a solid SLR photo camera with 14 million pixels.

It all starts on 22th of September.

Since a lot of information reached our ears already through a number of different leaks, it is now possible to make a few educated guesses and to attempt a comparison with the older Sony Alpha 700 (many of its owners are impatiently waiting for its successor(s)) and the direct competition in the Nikon and Canon ranges.

Legend: Green means “best in class”, Red means “worst in class”.

Let’s not forget that this comparison is still based upon rumors (which will or will not be confirmed in the coming hours).