Nikon D7000, primo contatto e primi scatti

Beware: The camera was still using a pre-production firmware (v0.28) and this should be taken as orientative only. The final, serial production quality may be quite different (probably improved, but…)

Merci Stéphane

By WhatDigitalCamera.com

• The lower key (advices) will allow:
  • Exposure modes
  • Guide/advices
  • Digital Zoom
  • Sensitivity (ISO)
  • White Balance
  • Metering Mode
  • Flash Correction
  • DRO / HDR
  • Creative Modes
  • MF guide
• The central key in the middle of the control ring will allow:
  • AF zone
  • Sensitivity (ISO)
  • White Balance
  • Metering Mode
  • Flash Correction
  • DRO / HDR
  • Creative Modes

Then, during video capture, it will become possible to change the aperture. This was a feature relatively easy to add and requested by many (some were very vocal about it).

Beware: You will have to wait 3 or 4 weeks to be able to download this v3 version. But I’m sure that the users of the NEX-3 or NEX-5 will be patient, since some people feared that these features would only arrive in a future NEX-7 (not disclosed at the Photokina) and they come to the existing models.

On top of this, the Alpha SAM or SSM lenses (equipped with an AF motor that the NEX bodies do not have) will become fully usable on the NEX via an adapter ring which will transmit the needed AF electronic data.

Finally, we learn that Sony is preparing 4 lenses for NEX, but they are short on details (I even feel cheated on this):

• A wide-angle Zeiss
• A tele-zoom
• A macro lens
• A lens for portraiture

We’ll talk about them later when we have something to discuss. For the time being, let’s appreciate the neat improvements that will come in a few days with this NEX firmware v3.

We learned a few key points:

• It will be a camera based upon the semi-transparent mirror technology (already disclosed on the SLT-A33 and SLT-A55). This is assuredly a kind of surprise since most of the observers (me included) expected this technology to wait until next generation of expert cameras to be extended. But Sony is betting everything on this revolutionary architecture and they are convinced that the video capture advantage will be a key point (but will the users be convinced by the electronic viewfinder after the excellent viewfinder of the A700?)
• Full HD (1080p) video capture, of course
• 10 frames/second continuous shooting bursts
• Continuous AF in all conditions, including video mode(s)

From its launch the A77 (let’s call it like that for now) will be available with a new trans-standard lens ready to satisfy a demanding customer, a new long prime tele-lens (certainly the 500mm f/4 G SSM we are waiting for in the G range, whose prototype is visible at the Photokina).

Clearly, Sony pushes forward in the semi-transparent mirror architecture. It is a major question mark for the highest end of the camera range, too. What about the Full Frame cameras (the followers to the A850 and A900)? it is quite probable that Sony will wait until they know the sales level of the lower-end cameras. If the A33, A55 and A77 sell strongly, it will allow Sony to extend its range toward the higher levels, but these cameras may feel a bit alone for some time. It is a good thing that they will not feel immediately outmoded…

Press Release

Sony showcases digital imaging solutions at Photokina Prototypes of Advanced Model A-mount Camera and new E-mount lens roadmap are revealed

Sony showcases the unique creative possibilities of its full digital imaging line-up at Photokina. Highlights on the Sony stand in Hall 5.2 include latest additions to the α (pronounced ‘Alpha’) range of interchangeable lens digital cameras, Cyber-shot compact cameras, Handycam® HD camcorders, Bloggie Mobile HD snap cameras and S-Frame digital photo frames.

A-mount system interchangeable lens digital cameras
Shown for the first time in Europe, Sony exhibits a new advanced segment camera (prototype) that uses Translucent Mirror Technology. Aimed at photo enthusiasts and step-up amateurs, the new α model builds on the powerful creative possibilities of the first translucent mirror cameras from Sony, the α55 and α33, also on display. Unlike conventional DSLR cameras, this innovative design enables super-fast shooting responses with continuous AF during stills and HD video shooting in a compact body.

Also presented, new A-mount system accessories currently in development include a flash and Vertical Grip, plus standard zoom and telephoto lenses.

E-mount system cameras: NEX-5/NEX-3
The growing range of E-mount system cameras, lenses and accessories is on display at Photokina. The compact, beautifully styled NEX-5/NEX-3 feature an APS-C size sensor, allowing photographers to capture DSLR-quality stills and video with the creative freedom of interchangeable lenses. On show are prototypes of seven new E-mount lenses that will be available during 2011 and 2012.

Available from mid-October, a firmware update adds fresh functionality to the NEX-5/NEX-3. Autofocus operation is now supported when using A-mount SAM and SSM lenses with the optional LA-EA1 Mount Adaptor. There’s also a new custom function that allows assignment to buttons of frequently-used functions, plus a new function to record movies with setup aperture.

Cyber-shot digital compact cameras
The Cyber-shot range of digital still cameras includes the feature-packed W series, the high-performance H series and the super-slim T series. Key Cyber‑shot features include AVCHD Full HD video, 3D Sweep Panorama and Superior Auto Mode for brilliant results in any shooting situation.

Handycam® HD camcorders
The Handycam® range of flash memory and hard disk drive camcorders unites Sony expertise in image sensing, digital processing and advanced optical design. The Exmor R CMOS Sensor on selected models boosts sensitivity for enhanced image quality with reduced noise, even in low-light. SteadyShot Active Mode features ‘3-way’ shake cancelling for more stable images at all zoom settings, even while walking.

Targeted at videographers and enthusiasts, the Handycam® NEX-VG10 features an extra-large Exmor APS HD CMOS sensor for stunning images with cinematic depth-of-field effects. Compatibility with interchangeable lenses allows still photographers to fully exploit the creative possibilities of their existing lens collection (A-mount lenses require optional adaptor).

Bloggie Touch Mobile HD snap camera
The latest addition to the Bloggie family, the stylish “Bloggie Touch” MHS-TS20K features a super-size touchscreen, 360 Video shooting capability and built-in USB arm for easy PC transfers. Built-in software simplifies photo and movie clip sharing via online services like the newly-launched Personal Space by Sony.

S-Frame Digital Photo Frame
The full 2010 line-up of S-Frame digital photo frames includes models from 17.8cm (7”) to 25.9cm (10.2”) panel size. Flagship models now support AVCHD video playback with stereo sound. Other models include the D830L, a battery-powered portable photo album, and F800 that integrates a high-quality colour printer.

Sony at Photokina 2010: Prototype / pre-production model display

A-Mount series interchangeable lens camera
Camera body

• Advanced model
• Translucent Mirror Technology
• Exmor APS HD CMOS Sensor
• AVCHD Full HD video

Lenses

• Standard zoom lens suitable for advanced model
• Telephoto Lens (500mm F4G)

Accessories

• Flash
• Vertical grip

E-Mount series interchangeable lens camera

Camera body

• Color Variation Concept Models of NEX-5 and NEX-3

Lenses

• Wide fixed focal length CZ : available from 2011
• Telephoto zoom : available from 2011
• Macro : available from 2011
• Portrait : available from 2011
• High performance standard zoom G : available from 2012
• Wide zoom : available from 2012
• Mid-telephoto : available from 2012

Accessories

• Flash

Press Release

PHOTOKINA 2010, COLOGNE, GERMANY, September 20, 2010 – FUJIFILM Corporation is pleased to announce the new FinePix X100, a high-grade digital compact camera featuring an APS-C CMOS sensor, a Fujinon 23mm fixed focal length lens and a newly developed Hybrid Viewfinder, due for commercial release in early 2011.

The FinePix X100 is aimed at the professional photographer or keen enthusiast looking for exceptional quality pictures from a compact camera. It is designed to appeal to the millions of DSLR users who need a slim back-up camera for high quality in-fill shots when the use of a bigger SLR system is either inconvenient or impractical. Or, of course, it can be used as a professional’s only top-end camera, if size and versatility are the primary considerations.

Fujifilm has closely studied the current line-up of professional cameras and feels that there is a strong need for a compact high-quality (APS-C based) camera as a counterpoint to an SLR. Using the experience of working with generations of photographers using famous emulsions like Velvia, Provia, Astia etc., Fujifilm engineers distilled this knowledge into months of careful study to create the perfect compact-sized professional camera.

The priority for this model is picture quality, so it was decided to make the highest quality possible lens and sensor combination, built from the ground-up. The lens chosen is a fixed, prime F2 lens, made by Fujinon, manufactured to perfectly match the APS-C custom sensor. Added to this is the newly-developed EXR Processor, which combines all the latest image processing technology Fujifilm has technology built up over the years.

Other cameras on the market look to fill the need for the ultimate ‘compact’ professional camera, but the Fujifilm development team believe that, having listened to the marketplace, the FinePix X100 offers a number of technical developments that will set this camera apart from other contenders. The main technologies employed in this camera are as follows:

Hybrid Viewfinder (New Development)

The Hybrid Viewfinder on the FinePix X100 combines the window-type “bright frame” optical viewfinder found in high-end film cameras such as 35mm or medium-format cameras, and the electronic viewfinder system incorporated in fixed single lens or mirrorless digital cameras. By using integrating a prism for the 1,440,000 dot LCD panel image on the viewing screen in the reverse-Galilean optical finder, the Hybrid Viewfinder can show both the shooting frame and a variety of shooting data. Of course, it can also be used as a high-quality electronic viewfinder to compose or playback shots. With this ability to instantly switch between optical and electronic viewfinder images with simple “one touch” control. The new Hybrid Viewfinder offers users expanded freedom in the composition and enjoyment of photography in a range of challenging shooting conditions.

While digital compact cameras have become ever slimmer and more compact in recent years, composing and viewing shots on large, higher resolution LCD panels on the back of the camera has become the mainstream practice for today’s users. On the other hand, shooting with an optical viewfinder is the standard practice for conventional film cameras and the preferred method for large numbers of digital camera owners. Many prefer the finder to be as close as possible to the eye so the user can focus attention exclusively on photo composition to get a clear view of the subject without distraction.

While traditionalists prefer the clear, sharp view of an ‘optical’ finder, modern electronic displays, giving data like shutter speed, aperture, white balance, exposure correction and sensitivity can aid the photographer tremendously. The new Hybrid Viewfinder on the FinePix X100 aims to give the user the ‘best of both worlds’.

Conceptual diagram

Further specifications for the Hybrid Viewfinder are as follows:

• The reverse Galilean optical finder with a 0.5x magnification features all-glass elements made from high-refractive index glass and demonstrates low chromatic aberration and distortion.
• In optical viewfinder mode, the brightness of both the “bright frame” and text data is automatically adjusted according to the brightness of scene area, ensuring that shooting information is always easily and clearly viewable.
• Displayed shooting data is constantly updated according to changes in shutter speed, exposure, sensitivity and other settings.
• In electronic viewfinder mode, the photographer can preview the picture or playback the result with the “through the sensor” image review. Available with one-touch switching ease, this capability enables the user to preview and confirm exposure settings, depth-of-field effects, white balance, and macro shots.

12.3 Megapixel APS-C CMOS Sensor

• The FinePix X100 features a custom CMOS high-performance sensor, internally optimized and developed exclusively for this model.
• Optimization of the angle-of-incidence in conjunction with the specially developed lens maximizes light gathering efficiency extending to the perimeter of the sensor for a sharper image with exceptional clarity.
• When shooting HD movies, the combination of the large-sized sensor and the large aperture F2 lens, lets users shoot a soft out-of-focus touch (bokeh) – a capability not available in conventional compact cameras.
• The ideal combination of a fixed focal length lens, high-sensitivity sensor (approx. 10 times the sensitivity of a conventional compact*1) and a high-performance image processor captures exceptionally high-quality images over the entire sensitivity range from low to high ISO settings.
• The high-speed CMOS sensor read-out and the EXR Processor’s enhanced focusing system contributes to the high-speed AF performance, while the combination of the optical viewfinder and extremely low shutter time lag enhance the pleasure of every shot.

• *1 Comparison with other FinePix compact camera models.

23mm F2 Fujinon (Aspherical) Lens

• The newly-developed lens offers a focal length of 23mm (135 equivalent: 35mm) and a widest aperture of F2. Made from molded glass, the lens contains 8 elements in 6 groups.
• The adoption of the non-collapsible lens structure with minimized lens length not only contributes to the compact size but also eliminates telescoping of the lens when the power is on. It’s ready to start shooting the moment you turn it on.
• Exploiting the merits of fixed focal length lens, this lens delivers sharp resolution of the total image from the center to the corners. In addition, the lens features not only the large F2 aperture value, but also an optical architecture that maintains a high degree of resolution even when closed by 1 to 2 stops.

FinePix X100 Lens Structure

MTF (Modulation Transfer Function) Curve

• The lens uses a 9-blade aperture diaphragm. A large F2 aperture and high-quality optics let users take beautiful photos with a soft out-of-focus (bokeh) effect.
• The lens enables macro shooting as close as 10 cm.
• Featuring a built-in ND filter (equivalent f-stop reduction of 3), the lens can enhance depth-of-field even in bright shooting conditions by enabling the aperture to be kept wide open. Shutter speed can also be reduced to capture waterfalls, or any shot where intentional blur is required.

EXR Processor (Newly Developed)

• When combined with the high-performance lens and high-sensitivity sensor, the newly developed EXR Processor achieves the highest definition, sensitivity and wide dynamic range image quality of any digital camera produced by Fujifilm.
• Throughout development of the processor, Fujifilm has re-examined every aspect from response to the circuit structure, and achieved a significant leap in signal processing performance for a more responsive and faithful reproduction of the image.
• The graphical interface (style and rendering of the LCD information) has been upgraded in the newly developed LSI to enhance the user experience and to improve the clarity of the information presented.

Design

• Inspired by the beauty and form of classic cameras from the past, the FinePix X100 combines all the latest technical digital innovations in a beautiful, traditional chassis which oozes class and prestige.
• The ergonomics of the design offer the perfect balance between compact convenience and user-friendly operation.
• The camera controls have been carefully thought out to give the photographer simple and speedy access to aperture, shutter speed, ISO etc, to allow maximum creative expression with minimum hassle. Custom modes can also be used for a one-touch change in settings.
• The upper control deck/bottom surface has been cast from magnesium alloy (semi-solid metal casting) to contribute to a high-precision camera body with high rigidity.
• All dials on the upper control deck are fabricated from metal. Adoption of traditional ’manual‘ dials lets the user confirm the position of the settings without turning on the power.
• Premium quality is evident in every detail. The chassis has been finished with high-quality leather accents and is a delight to use and a pleasure to hold.

• * Design and specifications may be subject to change without notice.

Important features:

• The Sigma SD1 will use the new (future?) 48 MP Foveon sensor
• It will include an anti-dust filter closing completely the mirror cage
• 3″ LCD screen with 420.000 pixels
• 11-point AF system
• Optical viewfinder with 98% coverage
• Most of the body structure comes from a large magnesium allow skeleton with a lens plate in steel

Important missing feature: No video on the list!

It comes with some lenses and a flash:

• Sigma 150mm F2.8 Macro lens
• Sigma 120-300mm F2.8 lens
• Sigma EF-610 DG flash

Press Release

The Sigma Corporation is pleased to announce the new SIGMA SD1 Digital SLR Camera, incorporating a 46 megapixel (4,800×3,200×3 layers) 24×16mm APS-C X3 direct image sensor.

The SIGMA SD1 is Sigma’s flagship digital SLR model, adopting a lightweight yet solid magnesium alloy for its body and O-ring sealing connections to make a weather-resistant design throughout for use in harsh conditions.

The SIGMA SD1 incorporates a 24×16mm APS-C X3 direct image sensor and dual “TRUE (Three-layer Responsive Ultimate Engine) II ”image processing engines. The combination of the 46 megapixel (4,800×3,200×3 layers) sensor and dual TRUE II processing engines ensure the high resolution images are processed quickly with high definition and a smooth and subtle graduation of color.

The SD1 is SIGMA’s latest digital SLR camera which meets high requirements of professional and enthusiast photographers for all types of photography.

This product is showcased at Photokina 2010 in Koln, Germany.

SIGMA SD1 Product Summary

46 megapixel 24×16mm APS-C X3 Full-color image sensor
The 46 megapixel (4,800×3,200×3 layers) 24×16mm APS-C X3 direct image sensor featured in the Sigma SD1 captures all primary RGB colors at each and every pixel location, ensuring the capture of full and complete color. Using three silicon-embedded layers of photo detectors, stacked vertically to take advantage of silicon’s ability to absorb red, green and blue light at different respective depths, it efficiently reproduces color more accurately, and offers sharper resolution, pixel for pixel, than any conventional image sensor. Since color moire is not generated, the use of a low-pass filter is not required, meaning light and color, generated by the 46 megapixel APS-C X3 direct image sensor is captured with a three-dimensional feel.

Dual TRUE II image processing engine
The SD1 incorporates a dual “TRUE (Three-layer Responsive Ultimate Engine) II” image processing engine which improves the processing speed and overall quality of the final image. The unique image-processing algorithm provides high resolution power and reproduces high definition images with richly graduated tones.

CF card
The SD1 adopts the TYPE I CF Card. This camera is compatible with the UDMA enabling fast processing of large amounts of data.
* It is not possible to use Microdrives and TYPE II CF cards.

11 point twin cross sensor
The autofocus system features an 11 point twin cross sensor. The shifted twin cross type sensor improves AF accuracy.

Magnesium body
The Sigma SD1 adopts a lightweight yet solid magnesium alloy body designed to withstand rough use and shocks in harsh conditions.

Weather-resistant design
Buttons and connections benefit from O-ring sealing connections to prevent dust and water getting inside the camera body.

Large, highly visible 3.0” TFT color LCD Monitor
The SD1 camera features a 3.0 inch TFT color monitor. This 460,000 pixel resolution LCD monitor benefits from a wide viewing angle, making it easy to check focusing and composition.

Optional lenses
The SD1 can be used with over 40 Sigma lenses such as ultra-wide, ultra-telephoto, macro and fisheyes which adopt the latest technology such as the FLD (“F” Low Dispersion) glass elements, which have the performance equal to fluorite glass, SLD glass, Aspherical lenses, Sigma’s own unique Optical Stabilizer function, Hyper Sonic Motor and Sigma’s Super Multi Layer Coating. They meet the various and demanding requirements of all types of photographers.

• Canon EOS 60Dli>
• Nikon D3100
• Nikon D7000
• Olympus E-5
• Pentax K-5
• Pentax K-r
• Sony SLT-A33
• Sony SLT-A55
• Sony Alpha 560
• Sony Alpha 580

But, let’s also see what the camera and accessories manufacturers did not announce or launched too discreetly.

• Panasonic launches a new Lumix: The GH2 sports an 18MP CMOS sensor in a body very similar to the Lumix GH1. 1080p video capture, autofocus is 2x faster.
• Panasonic: New “G” lenses (14 mm f/2.5, Vario 100-300 mm f/4-5.6 Mega O.I.S., 3D 12.5 mm f/12)
• Sigma is ready to push forward after the SD15 (very late in the market) with a new Foveon sensor at 48 MP (15.3 x 3) which will arrive in a future camera to be named Sigma SD1. Notice that Sigma announced that the SD1 sensor will be protected against dust by a glass filter which will hermetically close the mirror chamber (this should be very efficient).
• Pentax : SMC DA 18-135 mm f/3,5-5,6ED AL [IF] DC WR zoom lens for the Pentax K range of SLR photo cameras.
• Leica M9: A special edition built out of titanium (for rich art collectors).
• Große Überraschung (Big surprise): Fuji presents a very cool new APS-C compact camera, the FinePix X100 which looks a lot like a smaller Leica M9 (very good looking) and which nobody heard about before (did you hear about any kind of link for it?). Price: About US$ 1000 or 1000€
• Adobe announces a new Elements version: Adobe Photoshop Elements 9
• Sigma 150 mm Macro and 120-300 mm f/2.8 stabilized
• Leaf Aptus-II 12 medium format photo camera with 80 MP resolution and €23,995 / $31,995 price tag
• Samyang présented two new lenses: V-DSLR 8 mm F3.5 Aspherical IF MC Fish-eye CS et AE 14 mm f/2.8 ED AS IF UM
• Metz comes with 3 flashes: 44 AF-1 (99.90€), 36 AF-5 (69.90€), 24 AF-1 (179.90€).

No surprise here. The features are detailed here. To make things simple:

• 16.2 MP
• 11-point AF
• 7 fps bursts
• HDR mode
• 3″ (7.5 cm) LCD screen
• Sensitivity: ISO 200-12800 (exp. ISO 80-51200)

The K-5 will be available starting in mid-October at around $1899 or £1200 with a kit lens.

The camera is not impressive or very innovative (except if the ISO 12800 sensitivity comes with a really low noise level), but it’s a clear commitment of Pentax to keep supporting the higher end of their DSLR product line. And this is good news since they provide a systematically good camera under the Pentax K-5 name.

Recommended Retail Price:

• US$1699 / AU$ 1999 / $1249 boîtier seul
• 1299€ / £1199.99 en kit avec 18-55mm WR
• 1649€ / £1699.99 en kit avec 18-135mm WR

The latest photos I found are:

We can expect that this camera will be walking in the footsteps of the Pentax K-7.

According to most comments and rumours, Sony will have a prototype under a glass dome (like the first presentation of the “flagship” Alpha 900) with only a few comments about its features. Do not expect more until the beginning of 2011, the availability will be pushed into the second quarter of 2011.

However, some features seem to be leaking already:

• 18 MP CMOS sensor
• ISO Sensitivity: Improved but no figure available yet
• Video capture in both 720p and 1080p
• 32-point AF system (a large improvement on existing Sony AF solutions)
• It will have a SD/SDHC/SDXC card slot, and may loose the CompactFlash card compatibility (or have triple compatibility with Sony-proprietary MS cards)
• Weather-sealed body
• A new battery with a much higher capacity (it will probably be also used by another high-end camera late in 2011)

What is unclear (and the uncertainty about the name reflects it) is whether the new A77 or A750 will have a semi-transparent mirror and EVF (like the A33 or A55) or a more traditional viewfinder behind a mobile mirror (like the A700 and A900). Most certainly, a look at the prototype model of the Sony A77 or Sony A750 will clarify this.

The specs are expected to be here on the page for Pentax K-5 specs and reviews.

In the mean time, the technical characteristics should be announced in the coming hours:

• 12.4 MP CMOS sensor,
• 6 im/s in JPEG mode,
• Safox IX AF module,
• 96% 0.85x pentamirror viewfinder,
• infra-red data transmission,
• 3″ 921,000 dots LCD screen,
• Li-ion battery with optional AA-batteries adapter,

All this at a price of 649$ for a body only and 699$ within a 18-55mm kit.

There are a few little sounds that come from people who know about Sony.

First, and this is no longer a rumour, Sony has delayed the availability of the Sony Alpha 560 until beginning of 2011. The exact date seems a bit unclear (January or later?) and the reason is still unknown (production/manufacturing issues or marketing decisions). For the time being several countries are informed that the pre-orders are canceled and availability is unclear.

Second, a Sony representative from Sweden has been giving an interview to Fotoguiden.se where many people (unfortunately starting with SonyAlphaRumours) are willing to read a lot more than what is said. Anders Ericsson seems not to be a real spokesperson for Sony and tells many things which are presented exactly as if he is thinking aloud about things he does not know about more than most of us.

He says that he does not expect the follower to the Alpha 700 (Alpha 750, Alpha 790 or else) to be announced at the Photokina show. But more importantly, he tries to give views about the future of SLR cameras at Sony, stating that the A560/A580 are the last true SLR cameras at Sony, expecting the semi-transparent mirror solution of the A33 and A55 to be extended to the whole Alpha line.

This would obviously mean giving no successor to the Alpha 700 and A850/A900 products (no serious/expert/pro photographer would accept an Electronic ViewFinder -at least today). This would be a very bold statement for sure, even if Sony is selling many more entry-level cameras than the Alpha 900.

And Mr Ericsson is even giving the reasons why this would be so surprising today:

• The EVF is needed because the semi-transparent (SLT) mirror brings only a little light to the viewfinder.
• The semi-transparent mirror is reducing the light coming to the photo digital sensor, which would be a sin for high-end cameras where extreme sensitivity is becoming a critical decision factor.

In addition, SonyAlphaRumours has shown a set of specs for the next cameras from Sony. I go along with their analysis: This has a very low credibility factor.

Sony A9xx
34.6 MP
100% pentaprism
51 AF point
Center new double cross sensor at f/2.8
8 crosses
18 hidden assist point AF
ISO 100-25600, extended to ISO 50-51200

Sony Axxx
18 MP
19 point AF
Center double cross f2.8
10 fps
New Bionz
ISO 100-25600，extend 50-51200
3.5′ Bravia-class (???) LCD

Sony A750
18 MP CMOS
New BIONZ processor (perhaps twice, but is unlikely)
19-point AF, central cross
Between 10 fps and 12 fps
ISO 100-25600 (expandable to ISO 50-51200)
Full HD Video 1080i
Folding LCD 1.44K
HDR, 3D Panorama
Metal body
Date of announcement: September 12

Most serious observers now exclude the possibility of seeing a real Sony Alpha 750 announced at the Photokina fair in Köln, Germany. Surprisingly, it’s still uncertain whether or not Sony will have a set of preview features or even of prototype under a glass dome.

Everything/everybody points to a January or February 2011 announcement.

This is definitely not viral marketing.

There was a dire need of a respectable tele-zoom in the Olympus lens range. This is now corrected with nothing less than a 75-300 mm f/4,8-6,7 (equivalent to a 150-600mm). If this was a bit too much for your taste, they also brought a nice 40-150 mm open at f/4,0-5,6 (much more reasonable).

The 75-300mm comes in cloth of black and silver according to your taste, at the price of €899.00/$899.99. Available in December 2010.

The 40-150mm will sell for €329.00/$299.99 as early as October 2010.

Furthermore, you will be able to shoot pictures with an Olympus E-P2 Special Black EVF Edition for €1079.00, and an Olympus E-P2 Special Black Flash Edition at €1049.00/$999.99, from October.

This month of August 2010 is definitely rich in news of importance for the expert photographer. After Nikon and Sony, Canon is ready to present its new offering. Where Sony had 4 new DSLR cameras, Canon has one new Canon EOS 60D and 4 high-quality new lenses.

Canon EOS 60D

This is a very coveted market segment where Canon places its new Digital SLR photo camera, the EOS 60D. It comes right after the Canon EOS 50D and brings a nice set of improvements that will be welcomed by all Canon lovers.

More pixels (as usual) with an 18 mega-pixel APS-C CMOS sensor (borrowed to the Rebel T2i or EOS 550D), continuous shooting at 5.3 frames/s, a sensitivity range of ISO 100-6400 (extendable to ISO 12800) and the Canon EOS 7D metering system. These are systematic improvements to the existing EOS 50D. Canon is used to small increments in this camera range, but they decided to be more consistent than usual.

On the other side, to avoid direct competition with the EOS 7D, the new EOS 60D is actually a smaller, lighter body than the 50D, and it sports a new articulated tilt-and-swivel LCD screen.

In the same direction, we can no longer be surprised to see than the EOS 60D uses SD/SDHC/SDXC memory cards.

Main features:

• 18 MP CMOS sensor (APS-C)
• Digic 4
• Sensitivity: 100-6400 ISO (Hi: 12800 ISO)
• Exposure Metering: iFCL system (already used in the EOS 7D)
• Continuous shooting: 5.3 frames/s
• Viewfinder: 98% with 0,95x (interchangeable focusing glass)
• Full HD Video mode (from 1080p @ 30 fps) with manual control
• 9-point AF system (new system all Cross-type Sensors, all f/5.6 except for f/2.8 center)
• Improved Autofocus for Video capture and supporting LiveView mode
• LiveView mode
• In-camera RAW image processing: brightness, contrast, white balance or correct distortion or chromatic aberration
• Tilt-and-swivel 3″ LCD screen (1040k pixels)
• Integrated flash GN13 (able to control distant flashes)
• SD/SDHC/SDXC memory card slot
• 800g

This is nice to see Canon able to reposition the elements of its DSLR camera offering after the introduction of the EOS 7D which was temporarily reducing the readability of the whole range. Now, the EOS x0D (with 60D now) is clearly positioned between the 550D and the 7D. And it is a damn-good camera, too.

New lenses

EF 70-300mm f/4-5.6L IS USM

“Lightweight, compact and versatile”, this is a good description of a zoom lens that is covering an important product range.

A little more than 1000g and a price that should be accessible (let’s see when Canon gives a precise figure).

EF 8-15mm f/4L Fisheye USM

Simultaneously a zoom lens and a fisheye! And it is opening at f/4!

This lens will probably be expensive (the L marking and the red ring is a sure sign), but there is not much competition here.

EF 300mm f/2.8 L IS II USM

Even more expensive, here comes a prime lenses that needed a little refreshing:

Many a wildlife photographer will be interested by what is often considered as the last reasonable prime lens (wide opening and long focal length). AF speed and price will be a deciding factor (we have to already assume exceptionally good optics, in part due to the 2000 g of glass and metal).

EF 400mm f/2.8L IS II USM

You still have money and pro needs, here comes the heavy-weight:

I would even be frightened to ask for the price. The quality will probably be superlative and the weight is not for everybody: 3850 g.

That’s not all!

If you still don’t have enough (I know that the YLovePhoto readers are exceptionally demanding, but I hoped you would already be satisfied…), Canon has other ideas to appeal to you. They announced new focal extenders (EF 1.4x III & EF 2x III).

And they have been showing the first pictures of what will be the new 500mm and 600mm pro L tele-lenses (500mm F/4L IS II USM & 600mm F/4L IS II USM).

Did you notice? Canon will soon have fully renewed its range of white tele-lenses with the same high-level quality of optics, improved AF, and improved image stabilization. It’s time to go and attack a bank (your account will certainly not be enough).

An enormous overhaul of the Canon offering for pro and expert photographers.

Press Releases

Canon EOS 60D

Control, power, creativity – Canon empowers photographers to take the next step with the new EOS 60D

London, UK, 26th August 2010 – Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.

High speed, high resolution
With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios*1. Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.

A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.

The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor.  Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.

Shoot from all angles
A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.

Empowering creativity
A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.

Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.

For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection – using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.

EOS Movies: Full HD video with complete control
Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920x1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640×480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens. 

Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.

For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.

Designed for flexibility
The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.

A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.

The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.

Share the moment
For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions*2. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life
EOS 60D features at a glance:

• 18 MP APS-C CMOS sensor
• Advanced creative features with Basic +
• Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
• Full HD movies with manual control
• DIGIC 4
• ISO 100-6400, H:12800
• 5.3fps shooting for up to 58 JPEGs
• 9-point cross type AF System
• iFCL metering with 63-zone Dual-layer Sensor
• Integrated Speedlite transmitter
• In-camera RAW processing

*1 1:1, 16:9, 4:3 in addition to the standard 3:2 dimension
*2 This product is not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with the card manufacturer. Also note that approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with the card manufacturer

We’ll see…

• Sony Alpha 33
• Sony Alpha 55
• Sony Alpha 560
• Sony Alpha 580

Features and specific comments

The feature set is quite impressive for cameras supposed to be low-end and mid-range only. Some of the competition is going to feel the heat.

Sony Alpha 33

As expected, this is a Pellix camera (a semi-transparent mirror provides fast AF while in LiveView or in video capture mode). It climbs up to 10 frame/s continuous shooting and is 1080i HD video-capable.

The sensor is the 14MP APS-C CMOS sensor that we have been seeing a lot around here in the recent weeks.

Sony Alpha 55

Same as Sony Alpha 33, but with a larger (16MP) CMOS sensor.

Impressive enough to immediately receive a “Gold Award” from DPreview.

The A55v version (for USA only, apparently) will include a GPS for geo-tagging of photos and videos.

Sony Alpha 560

The A560 is definitely bringing 1080i HD video to the Sony SLR line; From a 14.2 MP CMOS photo sensor.

Specific to the Alpha 560: It will not be available before early 2011.

No GPS, contrary to rumours.

Sony Alpha 580

Same as Sony Alpha 560, but with a larger (16MP) CMOS sensor.

Nearly immediately available.

Pre-orders

B & H

• Sony Alpha 33
• Sony Alpha 55
• Sony Alpha 560
• Sony Alpha 580

In parallel, we have to wait for what will probably be a set of two new high-end tele-photo lenses. Maybe two white pro ones. Canon Rumors says: 300 f/2.8L IS & 600 f/4L IS.

Old pictures

As expected the most interesting camera would be the Pentax K-5, with a set of features putting it right into the competition for expert photographers.

• 16 MP APS-C photo sensor
• Sensitivity: ISO xxx-25600
• Continuous shooting at 7 fps
• Launch on Sept 20
• Availability: Oct 2010
• US$1600 suggested retail price

If the high ISO values go with a low noise and high real sensitivity, all Pentax lovers will be happy and a few other may be attracted. However, it seems that the sensor may be the 16MP CMOS sensor from Sony that nearly everybody seems determined to used these days and it may be difficult to differentiate themselves completely from the crowd on this issue only.

The low-end Pentax KR is also very near to what we were expecting (good news again for Pentax):

• 12 MP APS-C photo sensor
• Up to 120 color combinations (Pentax is now specializing if unmistakably visible photo cameras)
• Continuous shooting at 6 fps
• Launch on Sept 20?
• Availability: Oct 2010
• US$875 suggested retail price

Pentax is back in the game! Don’t count them out.

Thanks Tim for the heads-up call.

• Sony Alpha 33
• Sony Alpha 55

I may do the same for other cameras in the near future, when I feel that the information is stable enough to provide it in an organized way. Keep in touch.

• Alpha 33 (a pellix camera with a 14 MP sensor)
• Alpha 55 (a pellix camera with a 16.7 MP sensor, 10 fps, ISO 100-25600, 15-point AF, EVF – all to be confirmed)
• Alpha 560 (with 14MP sensor, 5 fps, ISO 100-12800, 15-point AF, swivel display – near certain feature set)
• Alpha 580 (same as A560, with 16MP sensor)

Note: Pellix is the name usually applied to describe a camera where there is no mobile mirror, but a pellix semi-transparent mirror which is providing a simultaneous and continuous AF while bringing light to the photo/video sensor. For more information about it, see the Wikipedia articles in both English and German. The presence of Pellix should also allow to keep a LiveView operation during the photo/video capture (probably in association with an Electronic View Finder or EVF).

Images of the A55 and A33

Images from DChome

A33/A55 size

What is now certain is that the Alpha 33 and Alpha 55 will be very small indeed. They are smaller than the smallest existing Alpha cameras (the Alpha 290). They are nearly as small as the NEX-5 camera.

Thanks to SonyAlphaRumors, you can see a marketing-based and meaningful size comparison:

As was reported here about a month ago, Canon does not believe that it is necessary to leave the traditional APS-C DSLR format factor to compete with the EVIL cameras. Sony seems to have understood this too. But they decided to provide both the (still?) smaller ones (NEX series) and continuously shrinking ones (Alpha series). It will be interesting to see how this works in the end.

At least, Canon appears right and we can expect to see similar comparisons appearing with Canon bodies of the near future.

Compatible lenses for NEX

Additionally, some companies are rumored to be interested in providing a real competition in terms of lenses for the NEX camera range (Sony will no longer be alone). If Zeiss and Leica are actually present there in a few weeks, it will mean that this NEX camera series will certainly be a huge success, if only because of the large advertisement effort supported by several companies at the same time. However, it is nearly impossible to sort out the good information and the false rumors in what is said from all sides.

• AF-S NIKKOR 85mm f/1.4G (estimated selling price of $1699.95)
• AF-S NIKKOR 24-120mm f/4G ED VR (estimated selling price of $1049.95)
• AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR (estimated selling price of $1299.95)
• AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR (estimated selling price of $399.95)

As you can see, except the 55-300mm, these are not really cheap lenses. Their quality will be their first weapon (Even more for the 85mm which will attract the attention of some pro photographers).

Nikon disclosed its new DSLR (that we will be able to see at the Photokina show in Köln, Germany at the end of September): Nikon D3100. As expected from the recent weeks of rumours, it brings at the entry-level the following features:

• 1080p HD video capture, with Full AF mode during recording (through contrast detection),
• 14.2 MP photo sensor (14MP is really becoming the new standard),
• Face detection as in the Nikon D5000 (but with up to 35 faces),
• A new user menu, which also includes photographs to illustrate the different settings.

The features of the Nikon D3100 place it squarely between the Nikon D3000 (which will soon disappear) and Nikon D5000.

Pre-orders

If you are already convinced, you can immediately place a pre-order at these partners:

B&H

• Nikon D3100 kit
• Nikon D3100 2-lenses kit
• Nikkor AF-S 28-300mm f/3.5-5.6G ED VR lens
• Nikkor AF-S DX 55-300mm f/4.5-5.6G ED VR lens
• Nikkor AF-S 24-120mm f/4G ED VR lens

Press Release

NIKKOR LEGACY CONTINUES COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF FOUR NEW LENSES
New NIKKOR Glass Yields an Unprecedented Seven Lenses Released to Date in 2010

MELVILLE, N.Y. (August 19, 2010) – Today, Nikon Inc. announced four new lenses to the legendary NIKKOR line to meet the needs of all types of photographers, from those looking for the ideal lens for capturing memories of the school play to pro glass that captures client work in the studio. The new
AF-S DX 55-300mm f/4.5-5.6G ED VR, AF-S 28-300mm f/3.5-5.6G ED VR, AF-S 24-120mm f/4G ED VR and AF-S 85mm f/1.4G deliver the optical excellence and stunning image quality that consumers have become accustomed to with AF-S NIKKOR lenses. Nikon’s optical engineering experience and devotion to extraordinary standards of excellence have contributed to the strength and legend of the NIKKOR brand. With the addition of these four lenses, 2010 has seen the introduction of a total of seven new NIKKOR lenses, reinforcing Nikon’s role as the world leader in optics.

Ideal for producing stunningly sharp images with excellent clarity and color reproduction or capturing HD video that exhibits critical focus with a dramatic depth of field, these new lenses will empower photographers with a variety of core Nikon technologies. The three zoom lenses utilize Nikon’s Vibration Reduction (VR) II Image Stabilization system that provides up to four stops of correction* to help create blur-free images while shooting handheld or in challenging lighting conditions. Found in the 85mm f/1.4 and 24-120mm f/4, Nikon’s exclusive Nano-Crystal Coat reduces instances of ghosting and flare – even in challenging backlit scenes. Additionally, all four lenses feature Nikon’s Silent Wave Motor (SWM) technology to deliver fast, accurate and quiet AF performance and Nikon’s Super Integrated Coating (SIC) for color consistency and reduced flaring. The construction of each of these lenses also includes a nine rounded blade diaphragm, to help achieve a dramatic separation between subject and background with a natural out of focus area coveted by today’s image-makers.

“The  AF-S NIKKOR 55-300mm f/4.5-5.6 VR, 28-300mm f/3.5-5.6 VR,  24-120mm f/4 VR and 85mm f/1.4 builds upon Nikon’s reputation as a preeminent manufacturer of high quality lenses delivering tack sharp, high contrast images whether shooting stills or video. ” said Lisa Osorio, general manager of Marketing at Nikon Inc.  “As camera capabilities expand and the role of photographers evolves, NIKKOR enhancements continue to meet the demands of beginner and professional photographers alike, and we continue to exceed expectations of optical excellence.”

AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR: Making Super Telephoto Shooting Easy and Affordable

The new AF-S DX 55-300mm f/4.5-5.6G ED VR fills a variety of roles as the perfect lens for family picture takers and photo enthusiasts alike. This lens is the ideal compliment to the 18-55mm VR DX-format camera kit lens, such as the one coupled with the just-released D3100 D-SLR camera, and provides users with an affordable way to achieve super zoom focal lengths from 82.5mm to 450mm (35mm equivalent). The 55-300mm VR lens brings the benefits of longer focal lengths into range for users when capturing distant subjects, such as at athletic events, family gatherings and summer vacations. Additional features include a Tripod Detection Mode, which allows users to keep VR image stabilization activated and automatically compensates for minute vibrations when mounted on a tripod. Additionally, a High Refractive Index (HRI) lens element is implemented to keep the lens compact while offering high contrast even at maximum aperture. The optical construction consists of two Extra-low Dispersion (ED) Elements that effectively minimize chromatic aberration, even at the widest aperture settings.

AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR: High Performance, High Quality and Telephoto Zoom

Building on the popularity and versatility of broad focal range lenses, the new
AF-S 28-300mm f/3.5-5.6G ED VR is Nikon’s first FX-format lens with a 10.7X zoom range for enthusiasts and professionals. The new 28-300mm is the all-in-one optical solution that is ideal for travel, landscapes, portraits and capturing distant subjects. The 28-300mm VR lens is optimized for edge-to-edge sharpness on both FX and DX-format D-SLR cameras, and has an equivalent focal length of 42-450mm when attached to a DX-format D-SLR. It’s optical formula includes two ED glass elements that effectively minimize chromatic aberration, even at the widest aperture settings, and three Aspherical Lens Elements that virtually eliminates coma and other aberrations at wide aperture settings as well. This high performance lens also incorporates an M/A Focus Mode Switch that enables quick changes between manual and autofocus operation, and Internal Focus (IF) providing fast and quiet autofocus without changing the length of the lens while retaining working distance through the focus range.

AF-S NIKKOR 24-120mm f/4 G ED VR: Defines Versatility

The new AF-S 24-120mm f/4 G ED VR zoom lens redefines the wide-to-portrait lens category, and provides users with a medium focal range lens with a constant aperture that is ideally suited for a wide variety of photographic disciplines. This high performance lens offers a constant maximum aperture of f/4 to maintain exposure settings throughout the entire zoom range and is perfect for photographing landscapes, portraits, interiors and weddings. The 24-120mm f/4 also features two ED elements, three aspherical lens elements, a useful M/A Focus Mode Switch, Internal Focus and Nano Crystal Coat to reduce ghosting and flare for greater image clarity, throughout the entire frame.

AF-S NIKKOR 85mm f/1.4G ED: Fast Medium Telephoto Lens Destined to Become a Classic

A highly anticipated lens for professional photographers with no room for compromise, the new
AF-S 85mm f/1.4G ED is an ultra-fast classic portrait lens boasting amazing picture quality, high performance and the ability to create dramatic background effects (bokeh). This lens is engineered for professional portrait, studio and wedding photographers wanting to shoot at fast maximum apertures while retaining the highest performance. The 85mm lens is also well suited for portraits and low-light shooting situations because of its ability to create a shallow depth of field with exacting sharpness and detail. The AF-S 85mm f/1.4 is optimized for edge-to-edge sharpness on both FX and DX-format D-SLR cameras, and features two focus modes, M/A (manual-priority autofocus) and M (manual) to further enhance versatility and adapt to a shooters needs. Additional features include Internal Focus (IF) that allows the lens to focus without changing the barrel length, Nano Crystal Coat to reduce instances of ghosting and flare, and a rugged construction build to endure aggressive field use.

Price and Availability

The compact telephoto AF-S NIKKOR DX 55-300mm f/4.5-5.6 VR lens has an estimated selling price of $399.95**. The versatile AF-S NIKKOR 24-120mm f/4 G ED VR has an estimated selling price of $1049.95**. The AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR zoom lens has an estimated selling price of $1299.95**. The ultra-fast AF-S NIKKOR 85mm f/1.4G has an estimated selling price of $1699.95**. These four lenses will be available starting in September 2010. For more information, please visit www.nikonusa.com.

On top of this, it is now clear that it will be a new avatar of EVIL camera equiped with an APS-C sensor. So, we will wait a good image quality, maybe with a simpler operation than most DSLR cameras.

Pentax announcement planned before Photokina.

photo credit: nhuhoai

• Samsung NX line would receive 3 new lenses according to Korean DDaily: Pancake 20mm, 20-50mm zoom and Macro 60mm lens.
• Canon could come with 3 lenses of its own: Possibly including an EF 16-50 f/4L H-IS.
• Panasonic already announced a 3D lens for the micro-4/3 (Lumix G-series). It should be visible in September and available in December.
• Samyang (the new company you should consider for compatible lenses) is readying a 35mm f/1.4 with manual focus, for the Samsung NX line. 8mm (fisheye) and 85mm have been rumored too.
• Nikon is said to be preparing at least three lenses: Nikkor AF-S 85mm f/1.4G N, Nikkor 24-120 f/4 ED VR N, Nikkor 55-300mm f/4.5-5.6 ED VR DX. They could possibly add a 18-200mm f/5.6 or a 28-300mm f/5.6.
• Sony has already said that we will see a 500mm f/4 G (big grey tele-lens for rich pro photographers) and a wide-angle lens Zeiss Distagon T* 24 mm f/2 ZA SSM, but the rumour has that it will not be the only lenses for the Alpha series. Sony could also present one or two lenses for the NEX line, on top of the 18-200mm already promised for mid-September 2010.

Of course, those could be announced a little before the Photokina show (brands try to steal the wind from the other by moving ahead of time).

First, and this is very easy to predict, Sony is ready to add to its NEX range of photo cameras. Already noticed because of the originality of its concept (a very dense point-and-shoot-like body, very simple but able to hold not only the new lenses of the new NEX range, but also compatible with the existing Alpha lenses, to bring light onto an APS-C CMOS digital photo sensor brought in the Alpha SLR range). While NEX was received with an obvious interest, it still needs to prove that it fills the needs of a real public. And this may be easier when a few days before the Photokina show (in September) we will be able to see the new photo camera of the NEX range: The NEX-7, which should capture 1080p video up to 60 frames/s. This should bring it in direct competition with the Panasonic GH2 which is still the best digital video offer among the compact photo cameras.

On top of it, we already know that Sony just presented it NEX-VG10 video camera, which is the pure video solution in the NEX range (again with the same CMOS 14.2 MP digital sensor that Sony seems decided to apply to as many NEX and Alpha cameras as marketingly possible). Available in September (in parallel with the door opening of the Photokina), it will be sold around $2000 (probably a little less than 2000€ on the old E continent).

Of course, Sony will also present (and possibly make immediately available) some new NEX lenses. The one whose name is most often repeated, since the Yodobashi leak in May, is the Sony NEX 18-200mm f3.5-6.3 OSS.

Then, there is no need of a crystal ball to announce that Sony will speak a lot about 3D on the Photokina floor. All the company divisions (video games, movies, video, photography) have been committed to bring active product support to this technology defined as a key target for Sony.

But, will you say, where are the D-SLR here? I kept the finest morsel for this part of the meal I offer you. Sony is preparing a full overhaul of its Alpha range. The A290 and A390 are already here with a 14.2 MP sensor (but only in a-little-outdated CCD technology), here comes the flood. There’s no doubt that the successor of the Sony Alpha 700 is ready. It was nearly official in PMA 2010 (at the beginning of 2010):

I dream of having reliable information about its photo sensor, but it is nearly certain that it won’t be the ubiquitous 14MP CMOS sensor of NEX and A500 series. It will be an APS-C sensor capable of 1080p video capture at 30 fps (at least). Since Sony always repeated that they would never bring a photo camera with a half-thought video section (like some of the competition, they murmur), it will be worth looking into its detailed features. Moreover, I would bet a tidy sum that the camera will be named Alpha 750, even if it appears that A790 was a possibility during the design stage.

The Sony press photo for PMA2010 (above) also gave us an important bit of information: The Sony Alpha 750 will have a little brother also video capable (probably with a resolution limited to 14 MP). The rumor says –curiously enough– that it would be named Alpha 33, and I find this utterly surprising. We’ll see, but in the meantime, you could listen to what the Spanish DSLRmagazine has to say about its supposed semi-transparent mirror used to assist a good autofocus in LiveView mode (traduction française, English translation).

But there is another possibility to take into account. According to Réponses Photo, the French magazine, “Sony give [us] a rendezvous in September for other SLR news, but this time in the expert and pro ranges…” (emphasis is mine). It looks a lot like a leak out of a magazine already informed but held tight by the signing of an NDA (Non-Disclosure Agreement). It would seem very surprising that anybody knowledgeable would place the Sony Alpha 750 in the “pro” range, it is the “expert” announcement. But, the, here is the last event: A pro camera! The Sony Alpha 900 (and its little brother A850) would prepare itself for a new offspring in the use of an Alpha 950 (no certainty about the name, of course)! And that could be thunderous if they announced (availability in early 2011?) the new 32 MP Full Frame CMOS sensor in association with a new quad-core BIONZ processor (aka Quattro Bionz).

The other option in this part of the product lien would be the arrival of an Alpha 820 (this name is heard in several mouths right now) which would be a new effort to popularize the Alpha 900 after the sub-2000€ Alpha 850. Credibility: Very low in my (not so) humble opinion.

You will have noticed that I did not go heavy on the conditional tense despite the long list of news. Be prepraed to see a Sony showroom of enormous size and density in Köln, next September for the Photokina. Alpha, NEX, 3D, video, Sony is alive and kicking.

Even for Canon, next September will see the Photokina show in Koln (Germany). It is often the occasion when brands of photo manufacturers launch the photo cameras they expect will be doing the big sales of the end of the year (a period that is really good for the amateur photography market). This year should not be any kind of exception and Canon has several cards to draw. So, I will not fail to try my hand at a few previsions from the information I got (sometimes they are incoherent, but they are often consistent when they reach my mailbox). The real difficulty for Canon predictions comes from the lack of precision of the current rumours.

To start with something really obvious, it is no longer possible to sort out rumour and fact about the Canon EOS 60D. At the beating heart of the EOS range of D-SLR cameras, the Canon EOS 50D has long been waiting its replacement (The 50D was launched at the end of 2008!). However, the launch of the Canon EOS 7D let think that this xxD series was at its end. But with time, rumours about an upcoming EOS 60D did not stop. Since the EOS 7D is also reaching a 5 quarters availability, it is possible to imagine that time has come to see either one or both replaced. And, consequently, most of the rumours are only that: Rumours… only based upon the wishes of their authors.

To give you a hint at what this new camera could be, here are possible features:

• 18 MP digital sensor
• Sensitivity: ISO 100-6400
• Continuous shooting at 7 fps
• 9-point AF system
• Fixed LCD (maybe tiltable)
• New user interface
• (Minor) improvements to the EOS 7D video capture mode, already in 1080p (FullHD)

But this is still to be confirmed and stays quite imprecise.

Curiously, since the Canon EOS 60D is still a very active hypothesis despite the lack of serious confirmation from the manufacturer, the replacement of the Canon EOS 1000D is not attracting a lot of credible leaks (despite some isolated DIY rumours, here and there). However, there is a very good chance that Canon will offer a new solution in the lower price range (Canon EOS 2000D) to counter-act the ever-more-present competition in the “less than 500€” market which is starting to be very active (Just look at the launch of the Sony Alpha 290 or the price reductions of the Pentax K-x, not even counting the strong offers from Olympus or Samsung). The photo sensor will have to leave the dusty floor of 10 MP, probably to re-use some of the already existing technology of its bigger brothers, but without reaching the expensive 18 MP level (15 MP would be perfect). The only really important issue will be to ensure very low manufacturing costs while staying in the race and it is difficult to precisely forecast the corners that the engineers will have to cut short; However, the higher the resolution, the more expensive the components (and not only the sensor itself).

Additionally, CR speaks more about new lenses for the end of August (in preparation of the Photokina show): EF 60 f/2.8 IS Macro, and EF 24-70 f/2.8L IS.

So, not many fixed certainties, but it is very probable that Canon will make the landscape clear at the end of August to prepare the Photokina 2010 Fair, either with a Canon EOS 60D, or a Canon EOS 2000D, or both.